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Today organizers announced five (5) more films in the Official Selection, with Jim Jarmusch's Only Lovers Left Alive (with Tilda Swinton) going into the Competition, Claude Lanzmann's Le Dernier des Injustes out of competition and three (3) films in Un Certain Regard: Lucia Puenzo's Wakolda, Hiner Saleem's My Sweet Pepperland and Katrin Gebbe's Tore Tanzt.

4/18/13
A few minutes ago the Official Selection lineup was unveiled and yes, there are some very positive surprises for me even when most films in the main competition are the ones everyone was buzzing and speculating will make the selection. The surprises: the latest film by master filmmaker Jia Zhangke, one of my favorite Sixth Generation Chinese directors, and none other than Amat Escalante that even when his films are quite violent, truly mesmerizes me with his particular and peculiar style. Fantastic!

My biggest non-positive surprise is to find Steven Soderbergh latest film in the Official Selection (?!) not only is a TV movie (is HBO) but the film stills and promotion material seems truly awful representation of Liberace. Obviously now I know will expect more from this movie that will premier Sunday, May 26 at 9pm on HBO.

As have been doing in previous years in one post will list ALL films that made this year selection and will update as soon as they announce new films in any section.

Competition

Behind the Candelabra, Steven Soderbergh, USA
Borgman, Alex van Warmerdam, Netherlands
Grisgris, Mahamat-Saleh Haroun, France and Chad
Heli, Amat Esclante, Mexico
Inside Llewyn Davis, Ethan and Joel Coen, USA
Jeune et Jolie, François Ozon, France
Jimmy P. (aka Jimmy Picard) (Psychotherapy of a Plains Indian), Aranud Desplechin, USA
La Vie d'A Adèle (aka Le Bleu est une coleur chaude), Abdellatif Kechiche, France
La Grande Bellezza (The Great Beauty), Paolo Sorrentino, Italy and France
La Vénus à la fourrure (Venus in Fur), Roman Polansky, France
Le passé (The Past), Asghar Farhadi, France
Michael Kohlhaas, Arnaud des Pallières, France and Germany
The Immigrant (aka Lowlife), James Gray, USA
Nebraska, Alexander Payne, USA
Only Lovers Left Alive, Jim Jarmusch, USA
Only God Forgives, Nicolas Winding Refn, France and Denmark
そして父になる Soshite chichi ni naru (Like Father, Like Son), Hirokazu Kore-eda, Japan
天注定 Tian Zhu Ding (A Touch of Sin), Jia Zhangke, China
Un château en Italie, Valeria Bruni-Tedeschi, France
藁の楯 わらのたて Wara No Tate (Shield of Straw), Takashi Miike, Japan

Out of Competition
Opening Film: The Great Gatsby, Baz Luhrmann, Australia and USA
Closing Film: Zulu, Jérôme Salle, France
All is Lost, J.C. Chandor, USA
Blood Ties, Guillaume Canet, France and USA
Le dernier des injustes, Claude Lanzmann, France and Austria

The Jury
President: Steven Spielberg, director, USA
Naomi Kawase, director, Japan
Cristian Mungiu, director, scriptwriter and producer, Romania
Lynne Ramsay, director, scriptwriter and producer, UK
Ang Lee, director, scriptwriter and producer, Taiwan
Daniel Auteuil, actor and director, France
Christoph Waltz, actor, Austria
Nicole Kidman, actress and  producer, Australia
Vidya Balan, actress, India

Un Certain Regard

Opening Film: The Bling Ring, Sofia Coppola, USA
Anonymous, Mohammad Rasoulof, Iran
As I Lay Dying, James Franco, USA
(*) Bends, Flora Lau, Hong Kong and China
Death March, Adolfo Alix Jr., Philippines
(*) Fruitvale Station, Ryan Coogler, USA
Grand Central, Rebecca Zlotowski, France
(*) La Jaula de Oro, Diego Quemada-Diez, Mexico
Les Salauds, Claire Denis, France
L'Image Manquante, Rithy Panh, Cambodia
L'Inconnu du lac, Alain Guiraudie, France
(*) Miele, Valeria Golino, France and Italy
My Sweet Pepperland, Hiner Saleem, Turkey, Iran, Irak
Norte, Hanggan ng kasaysayan (Norte, The End of History), Lav Diaz, Philippines
Omar, Hany Abu-Assad, Palestine and USA
(*) Sarah préfère la course, Chloé Robichaud, Canada
(*) Tore Tanzt, Katrin Gebbe, Germany
Wakolda, Lucía Puenzo, Argentina, Spain, France, Germany and Norway

Un Certain Regard Jury
President: Thomas Vinterberg, director, scriptwriter and producer, Denmark

Special Screenings
Muhammad Ali's Greatest Fight, Stephen Frears, USA (TV movie)
Seduced and Abandoned, James Toback, USA (Documentary)
Stop the Pounding Heart, Roberto Minervini, Italy, Belgium and USA
Week End of A Champion, Roman Polanski, UK, 1972 (Documentary)

Midnight Screenings
盲探 Man Tam (Blind Detective) , Johnnie To, Hong Kong
(*) Moonsoon Shootout, Amit Kumar, India and UK

Cannes Classics
Vertigo, Alfred Hitchcock, USA, 1958

Jerry Lewis' Tribute
Max Rose, Daniel Noah, USA

Gala Screening, Tribute to India
Bombay Talkies, Zoya Akhtar, Dibakar Banerjee, Anurag Kashyap and Dibakar Banerjee, India

Short Films Competition
37°4 S, Adriano Valerio, France, 11'
Bishtar az do saat (More Than Two Hours), Ali Asgari, Iran, 15'
Condom Lead, Mohammed Abou Nasser and Ahmad Abou Nasser, Palestine and Jordan, 14'
Hvalfjörður (Whale Valley, Guðmundur Arnar Guðmundsson, Iceland and Denmark, 15'
Inseki to Impotence (The Meteorite and Impotence), Omoi Sasaki, Japan, 10'
Mont Blanc, Gilles Coulier, Belgium, 14'
Olena, Elżbieta Benkowska, Poland, 14'
Ophelia, Annarita Zambrano, Poland, 14'
Safe, Moon Byoung-gon, South Korea, 13'

Cinéfondation Selection
Asunción, Camila Luna Toledo, Chile, 21', (Pontificia Universidad Catolica)
Au-delà de l'Hiver (After the Winter), Zhi Wei Jow, France, 19' (Le Fresnoy)
Babaga, Gan de Lange, Israel, 26' (The Sam Spiegel Film & TV School)
Contrafábula de una Niña Disecada (Fable of a Blood-Drained Girl), Alejandro Iglesias Mendizábal, Mexico, 25' (CCC)
Danse Macabre, Małgorzata Rżanek, Poland, 5' (Academy of Fine Arts in Warsaw)
Duet, Navid Danesh, Iran, 24', (Karnameh Film School)
En Attendant le dégel (Waiting for the Thaw), Sarah Hirtt, Belgium, 20' (INSAS)
Exil (Exile), Vladilen Vierny, France, 16' (La fémis)
Going South, Jefferson Moneo, USA, 15' (Columbia University)
În acvariu (In the Fishtank), Tudor Cristian Jurgiu, Romania, 20' (UNATC)
Mañana Todas Las Cosas (Tomorrow All The Things), Sebastián Schjaer, Argentina, 17' (UCINE)
Needle, Anahita Ghazvinizadeh, USA, 21' (The School of the Art Institute of Chicago)
O Šunce, Eliška Chytková, Czech Republic, 6' (Tomas Bata University in Zlίn)
Pandy (Pandas), Matúš Vizár, Czech Republic, 12' (FAMU)
The Magnificent Lion Boy, Ana Caro, UK, 10' (NFTS)
The Norm of Life, Evgeny Byalo, Russia, 23' (High Courses for Scriptwriters and Film Directors)
Seon (The Line), Kim Soo-Jin, South Korea, 27' (Chung-Ang University)
Stepsister, Joey Izzo, USA, 18' (San Francisco State University)

Special Screening
(*) Otdat Konci (Bite The Dust), Taisia Igumentseva, Russia

Short Films and Cinéfondation Jury
President: Jane Campion, director, New Zealand
Majida Abdi, actress, director and producer, Ethiopia
Nicoletta Braschi, actress and producer, Italy
Nandita Das, actress, India
Semih Kaplanoğlu, director, writer and producer, Turkey

(*) First film competes for the Camera d'Or

Main Competition, Out of Competition, Special Screenings and Tributes info, film stills or trailers @MOC
Un Certain Regard info, film stills or trailers @MOC
Check trailers for some Cinéfondation shorts at MOC.

Read basic info for all films but will continue finding more information, film stills and/or trailers and will upload them at MOC. So will update links to each section asap.

Reliable news have already the ACID selection even when it is not posted at the official site of L'Association du Cinéma Indépendant pour sa Diffusion, so I'm doing post and will confirm as soon as they publish at official site plus will add the special screenings and any other event they program for this year.

Update
The announcement is up at official site thus films are confirmed.

These are the nine (9) feature films in the 2013 selection

Au Bord du Monde, Claus Drexel, France
Braddock America, Jean-Loic Porton and Gabriella Kessler, France (documentary)
C’est eux les chiens, Hicham Lasri, Morocco
Deux automnes, trois hivers, (Two Autumns, Three Winters), Sébastien Betbeder, France

La Bataille de Solferino, Justine Triet, France
Ô Heureux Jours!, Dominique Cabrera, France (documentary)
Swandown, Andrew Kötting, UK
The Strange Little Cat, Ramon Zürcher, Germany
Wajma, Barmak Akram, France and Afghanistan

For me it is a big surprise to find in L'ACID selection Barmak Akram's film Wajma, which won an award at 2013 Sundance as its presence in this section means that has no distribution.

Around minute 2 the list of movies begin with images in the below video, but if you wish to see the photos pleas go here.

Today Edouard Waintrop, Artistic Director, announced the Directors' Fortnight selection that includes comedies, thrillers, 2 horror films, and 3 documentaries. A total of 21 features will screen with 17 world premieres selected after checking 3,311 titles.

There are some surprises as Yolande Moreau's first solo film, Sebastian Silva's film, the only Romanian film in all Cannes (a short) plus the most surprising duo of Jodorowsky films (!) one by him and another about him.  But most impressive is the fact that I have seen one of the films in the selection, fabulous short film Swimmer by Lynne Shelton!

Feature Films
Opening Film: The Congress, Ari Folman, Israel, Germany, Poland, France and Belgium
Closing Film: Henri, Yolande Moreau, France and Belgium

A Strange Course of Events, Raphaël Nadjari, Israel and France
(*) Les Apaches, Thierry de Peretti, France
(*) Ate ver a luz (After The Night), Basil Da Cunha, Switzerland
Blue Ruin, Jeremy Saulnier, USA
La Danza de la Realidad, Alejandro Jodorowsky, France, Chile and Mexico
(*) L'Escale, Kveh Bakhtiari, France and Switzerland (documentary)
(*) La Fille du 14 Juillet, Antonin Peretjatko, France
(*) Ilo Ilo, Anthony Chen, Singapore
(*) Jodorowsky's Dune, Frank Pavich, USA (Documentary)
(*) Last Days on Mars, Ruairi Robinson, UK and Ireland
(*) Les Garçons et Guillaume, à table!, Guillaume Gallienne, France
Magic Magic, Sebastián Silva, USA and Chile
On The Job, Erik Matti, Philippines
The Selfish Giant, Clio Barnard, UK
Tip Top, Serge Bozon, France
Ugly, Anurag Kashyap, India
Un Voyageur, Marcel Ophuls, France
El Verano de los Peces Voladores, Marcela Said, France and Chile
We Are What We Are, Jim Mickle, USA

(*) Competing for the Camera d'Or

Short Films
Gambozinos, João Nicolau, France and Portugal
Lágy Eső, Dénes Nagy, Belgium and Hungary
Le quepa sur la vilni, Yann Le Quellec, France
Man kann nicht alles auf einmal tun, aber man kann alles auf einmal lassen, Marie-Elsa Sgualdo, Switzerland
O umbra de nor, Radu Jude, Romania
Pouco mais de um mês, André Novais Oliveira, Brazil
Que je tombe tout le temps?, Eduardo Williams, France
Solecito, Oscar Ruiz Navia, Colombia, Denmark and France
Swimmer, Lynne Ramsay, UK

Beyond the selection, Directors’ Fortnight will host a range of peripheral events this year. These include the Taipei Factory, a joint initiative between Directors Fortnight and the Taiwan Film Commission to team four Taiwanese directors with four other filmmakers from around the world. The resulting shorts will be screened at Directors’ Fortnight.

Taipei Factory

The Pig, Singing Chen (Taiwan) and Jero Yun (Korea)
Silent Asylum, Midi Z (Taiwan) and Joana Preiss (France)
A Nice Factory, Shen Ko-Shang (Taiwan) and Luis Cifuentes (Chile)
Mr. Chang’s New Address, Chang Jung-Chi (Taiwan) and Alireza Khatami (Iran)

Other events includes a Tribute to Jane Campion, who this year will receive the Carrosse d'Or and the Directors' Assembly consisting of two panels to discuss key issues impacting the film industry today.

Directors' Assembly Program

Session 1 - Saturday May the 18th
Independent directors’ experiences worldwide

From their experiences, directors will talk about film production conditions and financial support schemes for cinema worldwide. It can be about the independent cinema in the United States, financing schemes in India, China, Brazil, and about everything directors wish to point out as well… They will talk about new creative and economic momentum that they conjure up to make their films. Daring productions sometimes turn away from cinema support schemes, as their heaviness and slowness weigh on creative energy. It will be about putting those systems and those different context to the test of the filmmaking reality and the work methods of each.

A new global and multipolar cinema leads to rapid mutations of our professional practices…

Session 2 - Tuesday May 21st
The European crisis and its consequences on its Member States’ cultural policies

Often in Europe, institutional stakeholders, producers and distributors script debates about cinema economics in which directors have a hard time finding their rightful place. Re-assessment of national cinema support schemes, coproductions difficulties, European funds shrinking… what role can they play in discussions about cultural policies ?

Cinema is not just an industry, neither is it an industry like any other : between cultural ambition and economic power, how to solve the visible contradiction between regulation, competition and cultural exception ?

Will check all films for info, original names, etc. and will update post accordingly ASAP.

A few minutes organizers released a video with Charles Tesson, Semaine Artistic Director, announcing this year selection with films that seem will be the usual "strange" films, which is absolutely Great!

As always there are seven (7) films in the Selection of 1st or 2nd films.

For Those in Peril, Paul Wright, UK
Dabba (The Lunchbox), Ritesh Batra, India, France and Germany
Le Démantèlement (The Dismantlement), Sébastien Pilote, Canada
Los Dueños, Agustin Toscano and Ezequiel Radusky, Argentina
Nos héros sont morts ce soir, David Perrault, France
Salvo, Fabio Grassadonia and Antonio Piazza, Italy and France
МАЙОР The Major, Yury Bykov, Russia

Special Screenings
Opening Night: Suzanne, Katell Quillévéré, France
Closing Night: TBA
Ain’t Them Bodies Saints, David Lowery, USA
Les Rencontres d’après minuit, Yann Gonzalez, France

Short Films
Agit Pop, Nicolas Pariser, France
Breathe Me, Han Eun-young, South Korea
Komm und Spiel (Come and Play), Daria Belova, Germany
La lampe au beurre de Yak, Hu Wei, France and China
Océan, Emmanuel Laborie, France
Pátio, Ali Muritiba, Brazil
Pleasure, Ninja Thyberg, Sweden
Tau Seru, Rodd Rathjen, India and Australia
The Opportunist, David Lassiter, USA
Vikingar, Magali Magistry, France and Iceland

Check info, stills and/or trailer @MOC

Film info is not yet at site, but will check the net to find what is available for each film. In the meantime see the video with the announcement (has English subtitles) to check photos from some of the films.

In last Thursday press conference besides announcing the lineup a few more things happened that are worth sharing. First was the release of "A Word From The President" were Gilles Jacob tells us about his vision for current edition and second, a hosting fund raising auction with Plantu & Friends in an event called Cartooning For Peace.

A Word From The President

Everyone knows the Cannes event that changes every year: poster, films, juries, prizes; behind its walls, there’s also an attitude which, decade in decade out, guarantees the continuing existence of this institution. The idea is one I particularly like, and it sees the festival as a shelter for endangered artists. Our influence has a long history: in the 1970s, already, Robert Favre le Bret and Maurice Bessy fou ght over Andrei Tarkovski; next, with Pierre Viot, we invited film makers harassed in their own countries, but who would be protected by the aura of the festival. Such watchfulness set precedents. I’m not going to list the names of those who benefitted, from Eastern Europe, Asia or the Middle East, but when we come across them, even years later, the warmth of their friendship is proof of their gratitude. And our doors remain open, both to them and to others... To all the others ...

Cannes, land of welcome. The 2013 edition illustrates – quite literally – this trait of ours. Indeed, we’ve invited press cartoonists to attend, they who have their own unique way to fight for liberty. On the press floor, under the eye of Plantu, there’ll be an exhibition of satirical, sharp and talented drawings on the theme of cinema. You’ll find a note about it in your press books.

And, so it is, that cartoonists from countries where freedom of expression is not a given will be rubbing up against each other. It’s like a signal: in the freest of countries, isn’t the ultimate dream of those in power for critics of their actions to be completely ignored? We must do all we can to ensure that the light of cartoonists, their art which consists in withholding nothing while summarizing fully in a single image, that that light never goes out: it’s the very last bastion against the despotism and dictatorship of the strong over the weak. By programming an event within which lies inherent a call to insurrection, the festival should perhaps fear that one day it might fall victim itself!

There is another philosophy that leaders should never forget, and that’s the hard work over many years that has enabled the identifying, help with developing, the encouraging, confidence-building and the time-saving given to successive generations of young film makers. We’ve been at this task of sifting and educating, or monitoring, rather, for a long time via a consistent process which became the Caméra d’or, the Cinéfondation and it’s Résidence, and the Atelier... I never miss a chance to say: sow and you shall reap the Fellinis of tomorrow. And the Bergmans and Buñuels. And the Jane Campions.

We thank the great artists who give of their time, expertise and enthusiasm to our young green shoots by heading up the Cinéfondation and short film jury. Helping burgeoning film makers dodge difficulties, get their projects known , and find the money to make them: that’s vocational for a few generous artists who find helping the newcomers to be vocational.

Thus, our good fairy this year is Jane Campion, who loved the idea of presiding over this jury, in the wake of Scorsese, Kusturica, the Dardenne brothers, Hou Hsiao Hsien, and all the others... Lady Jane, as I’ve been calling her since we met, is power, unity, harsh poetry and violence. She knows what she’s talking about. The three shorts of hers that we screened as a group when she first came in ’86 encapsulated everything about her world. They were great for all of the qualities mentioned, but they were also great because they were not copies of things that already existed. And then, 7 years after
Peel, The Piano won the Palme d’Or. What a beautiful example, what an inspiration for our filmmakers of tomorrow... At her side will be Maji-daAbdi, the Ethiopian director and producer, Nicoletta Braschi, the Italian actress, Nandita Das, the Indian actress and Semih Kaplanoglu, the Turkish director.

And now, it’s time to switch on the projectors, the official selection is about to be revealed...

Gilles Jacob

So, besides giving us his vision about this years' festival, praising Jane Campion and presenting us the complete Short Films and Cinéfondation jury, he announced an event that hopefully we will be able to see the works online, as yes I am curious to see the cartoons, especially those of many of my favorite directors.

The Event: Les dessins de la Liberté

The Festival de Cannes is hosting a fund raising auction sale on Monday, 20th of May at the Festival Agora to support Cartooning for Peace. This event, co-organized by Piasa, will present cartoonists Willis from Tunis (Tunisia), Dilem (Algeria), Kichka (Israel) and Plantu (Le Monde and L’Express) and will be conducted by the auctioneer James Fattori. For this unprecedented meeting between editorial cartoons and films, original collector artwork will be put on sale. The funds raised will benefit Cartooning for Peace to support their action.

Created in 2008 by Kofi Annan and Plantu, Cartooning for Peace aims to promote a better understanding and mutual respect between people of different cultures and beliefs using editorial cartoons as a universal language, by subtly shaking politically correct mindsets.

The exhibition linked to the benefit event, will be presented at the Palais des Festivals, during the whole festival.

A selection of eighty cartoons portrays legendary films, the film industry and famous film directors such as Fellini, Bergman, Spielberg or Haneke, in a light and satirical tone. Some cartoons also remind us that cinema creativity is still threatened in countries such as Iran or Algeria. If a film director has a problem with authorities, cartoonists from all over the world will take his defense and report freedom of expression violations.

Freedom of expression is under the spotlight to defend artistic freedom!

Nice work Cannes.

Cheers!!!

While the Official Selection of feature films for the 66th Festival de Cannes will be revealed on Thursday 18th April, the list of Short Films is unveiled today.

As we already know the Cinéfondation and Short Films Jury, presided by Jane Campion, will announce the award winners for the Short Film Competition and the Cinéfondation Selection.

Short Films Competition

This year, the Selection Committee received 3,500 short films, representing productions from no fewer than 132 countries.

Nine films will compete in 2013 for the Short Film Palme d’Or, to be awarded by Jane Campion, President of the Jury, at the Closing Ceremony of the 66th Festival de Cannes on 26th May. For the first time, a Palestinian film will take part in the Short Films Competition.

37°4 S, Adriano Valerio, France, 11'
Bishtar az do saat (More Than Two Hours), Ali Asgari, Iran, 15'
Condom Lead, Mohammed Abou Nasser and Ahmad Abou Nasser, Palestine and Jordan, 14'
Hvalfjörður (Whale Valley, Guðmundur Arnar Guðmundsson, Iceland and Denmark, 15'
Inseki to Impotence (The Meteorite and Impotence), Omoi Sasaki, Japan, 10'
Mont Blanc, Gilles Coulier, Belgium, 14'
Olena, Elżbieta Benkowska, Poland, 14'
Ophelia, Annarita Zambrano, Poland, 14'
Safe, Moon Byoung-gon, South Korea, 13'

Cinéfondation Selection

The Cinéfondation Selection selected 18 films (14 fiction films and 4 animated films) among the 1,550 submitted this year from 277 schools from all around the world

By focusing on the quality of work submitted by lesser-known institutions, the Selection is a true reflection of the diversity of film schools. This year sees a particularly significant broadening of scope, with a third of the schools being selected for the first time and one country – Chile – which has never previously been selected.

The following are the short films in competition; the schools are in parenthesis.

Asunción, Camila Luna Toledo, Chile, 21', (Pontificia Universidad Catolica)
Au-delà de l'Hiver (After the Winter), Zhi Wei Jow, France, 19' (Le Fresnoy)
Babaga, Gan de Lange, Israel, 26' (The Sam Spiegel Film & TV School)
Contrafábula de una Niña Disecada (Fable of a Blood-Drained Girl), Alejandro Iglesias Mendizábal, Mexico, 25' (CCC)
Danse Macabre, Małgorzata Rżanek, Poland, 5' (Academy of Fine Arts in Warsaw)
Duet, Navid Danesh, Iran, 24', (Karnameh Film School)
En Attendant le dégel (Waiting for the Thaw), Sarah Hirtt, Belgium, 20' (INSAS)
Exil (Exile), Vladilen Vierny, France, 16' (La fémis)
Going South, Jefferson Moneo, USA, 15' (Columbia University)
În acvariu (In the Fishtank), Tudor Cristian Jurgiu, Romania, 20' (UNATC)
Mañana Todas Las Cosas (Tomorrow All The Things), Sebastián Schjaer, Argentina, 17' (UCINE)
Needle, Anahita Ghazvinizadeh, USA, 21' (The School of the Art Institute of Chicago)
O Šunce, Eliška Chytková, Czech Republic, 6' (Tomas Bata University in Zlίn)
Pandy (Pandas), Matúš Vizár, Czech Republic, 12' (FAMU)
The Magnificent Lion Boy, Ana Caro, UK, 10' (NFTS)
The Norm of Life, Evgeny Byalo, Russia, 23' (High Courses for Scriptwriters and Film Directors)
Seon (The Line), Kim Soo-Jin, South Korea, 27' (Chung-Ang University)
Stepsister, Joey Izzo, USA, 18' (San Francisco State University)

The three Cinéfondation Prizes will be awarded at a ceremony prior to the screening of the winning films on Friday 24th May in the Buñuel Theatre.

Check trailers for some Cinéfondation shorts at MOC.

After reading, see film stills and/or trailer for all short films, can say that some seem very interesting; unfortunatelly not all have trailers and/or film stills but will be frequently checking to post at MOC trailers when they are released.

Cheers!!! Cannes has started.

As next Thursday April 18 we will learn the Cannes Official Selection let me share with you all my wish list with films that hopefully will make any section of the festival but IF they don't still believe that most films will be must be seen.

The Masters

Le Passe (The Past) by Asghar Farhadi.
Know director became famous for his Oscar winner film but I follow him closely since his 2006 Fireworks Wednesday and this is must be seen for me for him and because Tahar Rahim is the lead. Let's hope Bérénice Bejo acts better here than in her other films, sigh.

La Grande Bellezza (The Great Beauty) by Paolo Sorrentino.
Absolutely must be seen for me as teaser has such beautiful images of Rome on top the star is none other than Toni Sevillo. (Photo)

Nymphomaniac by Lars Von Trier.
Soon we will know if director deeply tarnished his relationship with the festival or not. If film is not in Cannes then surely will be in Venice. Who can resist Charlotte Gainsbourg performing a self-diagnosed nymphomaniac? Not me.

Malavita by Luc Besson.

Female Master Directors

Abus de faiblesse (Abuse of Weakness) by Catherine Breillat.
The star is none other than Isabelle Huppert so we know that the story has to be intense and perhaps much more as Breillat adapted her novel -with the same name- about her true personal experience with professional conman Christophe Rocancourt.

Les Salauds (The Bastards) by Claire Denis.
With Chiara Mastroianni and Vincent Lindon. Not crazy about director but this revenge drama seems could be interesting. (Photo)

Serena by Susanne Bier.
The great Danish director took a break from her amazing dramas to direct light Love is All You Need; now she plays again with the English language to tell a very American story. The catch is that the leads are none other than Jennifer Lawrence and Bradley Cooper; but has great British actors too.

Bird People by Pascale Ferran.
Nude Area by Urszula Antoniak.
Wakolda by Lucia Puenzo.

Great Filmmakers ("walking" to become Masters)

Le Bleu est une couleur chaude (Blue is the Earmest Color) by Abdellatif Kechiche.
Really enjoy his movies and more if the star is none other than Léa Seydoux and has a story that seems will have lesbian interest (!!!). (Photo)

A Most Wanted Man by Anton Corbijn.
Images suggest that Corbijn kept his peculiar fabulous style in this adaptation of John le Carre's espionage thriller starring none other than Philip Seymour Hoffman.

Only God Forgives by Nicolas Winding Refn.
Trailer impressed me but I was more impressed by Kristin Scott Thomas as hardly recognized her. Director regular Ryan Goslin (recall Drive?) is also here in a film that I suspect will be even more violent than Drive.

Twelve Years a Slave by Steve McQueen.
McQueen's regular, great Michael Fassbender stars in this very American slavery story that know will have director impressive style (has to). My only concern is that Brad Pitt also stars in film. Still, European buzz wonder if film will be ready for Cannes.

Tom à la ferme (Tom at the Farm) by Xavier Dolan.
Cannes "enfant not-so-terrible" maybe will make his dream come true this year IF his latest film finally makes the Official Selection; but no matter where it lands, film has to be his most drama intensive when he tells about a grieven man meeting his lover's family, who were not aware of this son's sexual orientation. The best, Dolan also acts (I enjoy his performances). If film makes Cannes be sure that film will compete for a Teddy. Just read that "maybe" film will NOT be in Cannes, shame.

Jeune et jolie by François Ozon.
Like Father, Like Son by Hirokazu Kore-Eda.
Nine Minutes Interval by Corneliu Porumboiu.

In English

Blood Ties by Guillaume Canet.
Yes he is directing his first English language film and is a remake of Les Liens du Sang where he was the main actor. Perhaps the only good thing film has is his wife acting in film.

The Buttler by Lee Daniels.
After being highly impressed with the Paperboy this tale about a butler who served eight different American Presidents at the White House could be better than what I imagined before seeing the Paperboy; so the great cast (John Cusack, Vanessa Redgrave, Alan Rickman, etc) could make this movie (hopefully) good.

The Congress by Ari Folman.
Highly impressed with his Waltz with Bashir but as some do Folman went to America to do an English movie with American stars and Sci-Fi genre. Still story (an aging, out-of-work actress accepts one last job...) could be interesting specially when Robin Wright plays a version of herself who travels to the future.  The Great news, film is a blend of live action (70 mins) and animation (50 mins) that looks/feels like his previous film.

The list could grow exponentially but let's stop here as we only have to wait 5 days to learn which film made the Official Selection plus the selection in the parallel sections and beyond. Can't wait for Cannes and know you can tell.

Cheers!!!!

Located at the heart of Cannes Film Festival’s international village, the pavilion is a unique venue dedicated to filmmakers from Africa, Asia, Latin America, Central and Eastern Europe, and the Near and Middle East. As a platform for working and networking opportunities, it has become the place to be for artists, professionals and international institutions seeking information on world cinema during the festival.

Since 2009, the Cinémas du Monde Pavilion has been run by the Institut Français in partnership with the International Organisation of La Francophonie, the Audiovisuel Extérieur de la France – composed of RFI, Monte Carlo Doualiya, France 24, and the partner French-language channel TV5 Monde. With their shared desire to promote cultural dialogue and diversity, the pavilion’s partners have contributed resources and expertise enabling world cinema to have its own workspace and networking area at the biggest international festivals.

A delegation of young directors and their producers have been invited to take part in the Fabrique Les Cinémas du Monde, a programme supporting talented new filmmakers. Its excellent workshops and abundant professional contacts have already helped several films and projects find co-production and international distribution opportunities.

In 2013, just like in the previous editions, a renowed cinema personnality will sponsor the Pavilion. He will brilliantly follow in the footsteps of his prestigious predecessors : Maria De Medeiros, Elia Suleiman Elsa Zylberstein, Pablo Trapero, Sandrine Bonnaire, Rithy Panh, and Juliette Binoche and Abderrahmane Sissako.

Raoul Peck will be the patron of the 2013 edition of the La Fabrique Les Cinémas du Monde. He will share his experience with young directors and hold a master class.

The 2013 selection

9 talented young directors from emerging countries, and their producers, will will be able to take advantage of personalised project support through one-to-one meetings with key players in the film industry.

Before Leaving, Mohammed Latrèche, Algeria
Territoria, Nora Martirosyan, Armenia
Loveling, Gustavo Pizzi, Brazil
The Siren of Faso Fani, Michel K. Zongo, Burkina Faso
The Taste in our Tongues, Monica Bravo, Colombia
Carmen, Pierre Lucson Bellegarde, Haiti
Jambula Tree, Kahui Wanuri, Kenya and South Africa
The Sigbin Chronicles, Joanna Arong, Philippines
The Mercy Of The Jungle, Joel Karekezi, Rwanda

4 countries will be represented for the first time: Armenia, Burkina Faso, Haiti and the Philippines. To learn more about the program and/or each of the projects please go to official site.

For L’Atelier’s 9th edition, 15 projects from 14 countries have been selected. Since its creation in 2005, L’Atelier has been stimulating creative filmmaking and encouraging the emergence of a new generation of filmmakers.

By inviting directors and their producers to meet hundreds of potential partners during the Festival de Cannes, L’Atelier offers its participants access to international co-production, thereby maximizing their chances of completing their projects. So far, out of 126 projects presented over the last eight years, 83 have been completed and 29 are currently in pre-production.


The Projects

Rey, Niles Attalah, Chile
Ciao Ciao, Song Chuan, China
Out/In the Streets, Jasmina Metwaly and Philip Rizk, Egypt
Lamb, Yared Zeleke, Ethiopia
Je ne suis pas un salaud, Emmanuel Finkiel, France
Stage Fright, Yorgos Zois, Greece
Chenu, Manjeet Singh,India
Holy Air, Shady Srour, Israel
The House on Fin Street, Amir Manor,Israel
Sworn Virgin, Laura Bispuri, Italia
Me, Myself and Murdoch, Yahya Alabdallah, Jordan / Palestine
Days of Cannibalism, Teboho Joscha Edkins, South Africa
Memories of the Wind, Özcan Alper,Turkey
Road Kill, Yuichi Hibi, U.S.A.
Los Herederos (The Heirs), Jorge Hernández Aldana, Mexico

To learn more about each project please read the Livre des Projects below.

Today the poster was released and the following is the commentary for the poster selection.

For its 52nd edition, La Semaine de la Critique continues its series of portraits initiated last year with the collaboration of Les Bons Faiseurs agency.  Following on from Anamaria Vartolomei's classic pale beauty, the beautifully lit face of Soko stands out against the logo of the Selection that revealed her in the superb Augustine, Alice Winocour's debut film.

By discovering first features, the section in charge of talent scouting also showcases new actors, often performing their first roles on the big screen. Maggie Cheung, Viggo Mortensen, Léa Seydoux, Gael García Bernal, Alice de Lencquesaing, all these actors whose early and promising years are reflected in Soko's luminescent and serene beauty, which radiates the pleasure and sensuality of performance.

The Selection of the 52nd edition and a commentary by Charles Tesson, Artistic Director, will be posted online on April 22nd.

Interesting is to notice that the three Cannes 2013 posters are really movie related in direct or indirect ways. That's great!

Today the release of the parallel Cannes section poster, perhaps because is a black and white photo or maybe because is an excellent composition but I'm finding 2013 Cannes graphic identity outstanding as the Festival de Cannes poster is amazing and now this section releases another great poster with a great reasoning behind.

Poster 2013

Two persons in the middle of the desert, under a distant western sky.

The epitome of Adventure. Two modern-day cow-boys in a motor vehicle.

Or, why not, the vehicle of two filmmakers scouting locations, who briefly, forget their solitude to confront their experience and their destiny under a Fordain sky.

The Quinzaine des Réalisateurs this year will be a meeting place for creative artists in the midst of desire.

And a series of adventures, comedies and tragedies of today.

Life, indeed, but under skies bigger than life, as Nicholas Ray would put it...Movies, in short.

Edouard Waintrop

The poster for the 2013 Quinzaine des Réalisateurs was based on a photo by Cécile Burban. Michel Welfringer was in charge of the graphic conception.

Now I'm looking forward to see La Semaine poster as hopefully they will keep similar basic graphic identity.

Banner

A few minutes ago the official festival poster was announced with American movie icons Joanne Woodward and Paul Newman in a 1963 photo from the shooting of Melville Shavelson's A New Kind of Love.

The following is what the festival announced about the original photo and the poster.

The original photo

To grace the poster for its 66th edition, the Festival de Cannes has chosen a couple who embody the spirit of cinema like no other: Joanne Woodward and Paul Newman, photographed during the shooting of the aptly named A New Kind of Love, by Melville Shavelson (1963).

For the Festival it is a chance both to pay tribute to the memory of Paul Newman, who passed away in 2008, and to mark its undying admiration for Joanne Woodward, his wife and most favored co-star.

They were honored at the Festival de Cannes in 1958 – the year of their marriage – with the selection In Competition of Martin Ritt’s The Long Hot Summer, the first film in which they appeared together. The links between their story and that of the Festival continued with a series of films directed by Newman, who cast Woodward in unforgettable roles in The Effect of the Gamma Rays on Man-in-the-Moon Marigolds (Competition – 1973) and The Glass Menagerie (Competition – 1987).

The 2013 Festival Poster

The photograph from the shoot was isolated, remastered and redesigned by the Bronx agency, who added a kinetic element, toying with the impression of movement and depth in order to enhance the cinematographic effect.

The poster evokes a luminous and tender image of the modern couple, intertwined in perfect balance at the heart of the dizzying whirlwind that is love. The vision of these two lovers caught in a vertiginous embrace, oblivious of the world around them, invites us to experience cinema with all the passion of an everlasting desire.

The ★ Bronx agency (Paris) was responsible for all the graphics of the 2013 Festival.

It also created an animated film for the poster, to the soundtrack of a remixed version of the Festival’s musical theme. Arrangements: Olivier Huguenard - Emmanuel Plégat / Sismic Music.



Can't help but share that one film that never has left my memory is The Long Hot Summer, which perhaps is my favorite from the real life husband and wife couple and a film that I highly recommend to see if you haven't seen it yet. My only suggestion is to see it as a period film from a long-gone era.

Because photos are really worth watching, suggest you check the Poster Couple article at official festival site here.

Find the poster interesting, somehow a great portrait from the sixties but believe that the graphic representation in the vertical, horizontal and square materials is very suggestive as we know this is the 66th edition but because the photo chosen seems more a 69 than a 66. Wonder if is on purpose or just my imagination.

For L’Atelier’s 9th edition, 15 projects from 14 countries have been selected. Since its creation in 2005, L’Atelier has been stimulating creative filmmaking and encouraging the emergence of a new generation of filmmakers. By inviting directors and their producers to meet hundreds of potential partners during the Festival de Cannes, L’Atelier offers its participants access to international co-production, thereby maximizing their chances of completing their projects. So far, out of 126 projects presented over the last eight years, 83 have been completed and 29 are currently in pre-production.

From May 17 to 23, L’Atelier will arrange meetings with the directors for film industry professionals interested in investing in their projects. The Livre des Projets and the meeting request forms will be available online at the beginning of April on Cinéfondation official site.

The following are the 15 selected projects.

Chenu, Manjeet Singh, India
Ciao Ciao, Song Chuan, China
Days of Cannibalism, Teboho Joscha Edkins, South Africa
Holy Air, Shady Srour, Israel
Je ne suis pas un salaud, Emmanuel Finkiel, France
Lamb, Yared Zeleke, Ethiopia
Me, Myself and Murdoch, Yahya Alabdallah, Jordan and Palestine
Memories of the Wind, Özcan Alper, Turkey
Out/In the Streets, Jasmina Metwaly and Philip Rizk, Egypt
Rey, Niles Attalah,Chile
Road Kill, Yuichi Hibi, USA
Stage Fright, Yorgos Zois, Greece
Sworn Virgin, Laura Bispuri, Italia
The House on Fin Street, Amir Manor, Israel
The Heirs, Jorge Hernández Aldana, Mexico

Let's hope that many of the above projects find the necessary help to continue the process of making their films.

Ceremony is over, the fest is over, the winners are below, some are Must Be Seen for me while others know will be very hard-to-watch them.  Great!

Sehen im nächsten Jahr!!!

Competition

Golden Bear for Best Film: Poziţia Copilului (Child's Pose), Călin Peter Netzer, Romania

Silver Bear Jury Grand Prix: Epizoda u životu berača željeza (An Episode in the Life of an Iron Picker), Danis Tanović, Bosnia and Herzegovina, France and Slovenia

Alfred Bauer Prize: Vic+Flo ont vu un ours (Vic+Flo Saw a Bear), Denis Côté, Canada

Special Mentions
Layla Fourie, Pia Marais, Germany, South Africa, France and Netherlands
Promised Land, Gus Van Sant, USA

Silver Bear for Best Director: David Gordon Green for Prince Avalanche, USA

Silver Bear for Best Actress: Paulina García in Gloria, Sebastián Lelio, Chile and Spain
Silver Bear for Best Actor: Nazif Mujic in Epizoda u životu berača željeza (An Episode in the Life of an Iron Picker), Danis Tanović, Bosnia and Herzegovina, France and Slovenia

Silver Bear for Best Script: Jafar Panahi for Pardé (Closed Curtain), Jafar Panahi and Kamboziya Partovi, Iran
Silver Bear for Outstanding Artistic Contribution in the categories Camera, Editing, Score, Costume Design or Set Design: Aziz Zhambakiyev for Уроки гармонии Uroki Garmonii (Harmony Lessons), Emir Baigazin, Kazakhstan and Germany

Best First Feature Award: The Rockett, Kim Mordaunt, Australia
Special Mention: A batalha de Tabatô (The Battle of Tabatô), João Viana Guinea-Bissau, Portugal

Generation

Generation Kplus

Children's Jury
Crystal Bear for Best Film: The Rocket, Kim Mordaunt, Australia
Special Mention: Satellite Boy, Catriona McKenzie, Australia
Crystal Bear for Best Short Film: The Amber Amulet, Matthew Moore, Australia
Special Mention: Ezi un lielpilseta (Hedgehogs and the City), Ēvalds Lācis, Latvia

International Jury
Grand Prix for Best Film: Mammu, es Tevi mīlu (Mother, I Love You), Jānis Nords, Latvia
Special Mention: Satellite Boy, Catriona McKenzie, Australia
Special Prize for Best Short Film: Cheong, Kim Jun-in, South Korea
Special Mention: Ezi un lielpilseta (Hedgehogs and the City), Ēvalds Lācis, Latvia

Generation 14plus

Youth Jury
Crystal Bear for Best Film: Baby Blues, Kasia Roslaniec, Poland
Special Mention: Pluto, Shin Su-won, Korea
Crystal Bear for Best Short Film: Rabbitland, Ana Nedeljković and Nikola Majdak, Serbia
Special Mention: Treffit (The Date), Jenni Toivoniemi, Finland

International Jury
Grand Prix for Best Film: Shopping, Mark Albiston and Louis Sutherland, New Zealand
Special Mention: Baby Blues, Kasia Roslaniec, Poland
Special Prize Best Short Film: Första gången (The First Time), Anders Hazelius, Sweden
Special Mention: Barefoot, Danis Goulet, Canada

Short Films

Golden Bear: La Fugue (The Runaway), Jean-Bernard Marlin, France
Silver Bear Jury Prize: Die ruhe bleibt (Remains Quiet), Germany
DAAD Short Film: Aşura (Ashura), Köken Ergun, Turkey and Germany
Berlin Short Film Nominee for the European Film Awards: Misterio (Mystery), Chema García Ibarra, Spain

Collateral Awards

FIPRESCI
Competition: Poziţia Copilului (Child's Pose), Călin Peter Netzer, Romania
Panorama: Inch'Allah, Anaïs Barbeau-Lavalette, Canada and France
Forum: Hélio Oiticica, Cesar Oiticica Filho, Brazil

Ecumenical Jury Awards
Competition: Gloria, Sebastián Lelio, Chile and Spain
Special Mention: Epizoda u životu berača željeza(An Episode in the Life of an Iron Picker),Danis Tanović, Bosnia and Herzegovina, France and Slovenia
Panorama: The Act of Killing, Joshua Oppenheimer, Denmark, Norway and UK
Special Mention: Inch'Allah, Anaïs Barbeau-Lavalette, Canada and France
Forum: Krugovi (Circles), Srdan Golubović, Serbia, Germany, Croatia, Slovenia and France
Special Mention: Senzo ni naru (Roots), Kaoru Ikeya, Japan

Label Europa Cinemas: The Broken Circle Breakdown, Felix van Groeningen, Belgium and Netherlands (Panorama)

NETPAC Prize: Lamma shofak (When I Saw You), Annemarie Jacir, Palestine, Jordan, UAE and Greece (Forum)

Prize of the Guild of German Art House Cinemas:  Gloria, Sebastián Lelio, Chile and Spain

Confédération Internationale des Cinémas d’Art et d’Essai (C.I.C.A.E.)
Panorama: Rock the Casbah, Yariv Horowitz, Israel and France
Forum: Grzeli nateli dgeebi (In Bloom), Nana Ekvtimishvili and Simon Groß, Georgia, Germany and France

FGYO-Dialogue en Perspective: Zwei Mütter (Two Mothers), Anne Zohra Berrached, Germany (Perspektive Deutches Kino)
Special Mention: Chiralia, Santiago Gil, Germany (Pespective Deutches Kino)

Caligari Film Prize:Hélio Oiticica, Cesar Oiticica Filho, Brazil (Forum)

Teddy Awards
Feature Film: W imię… (In the Name of), Małgośka Szumowska, Poland
Jury Award: Concussion, Stacie Passon, USA
Best Documentary: Bambi, Sébastien Lifshitz, France
Best Short Film: Ta av mig (Undress Me), Victor Lindgren, Sweden, 15' (Berlinale Shorts)
Special Teddy Award for HIV Awareness: Steps for the Future, South Africa (project)

Peace Film Prize:  A World Not Ours, Mahdi Fleifel, Lebanon, UK and Denmark (Panorama)
Amnesty International Film Prize: The Rocket, Kim Mordaunt, Australia (Generation)
Cinema Fairbindet Prize: Art/Violence, Udi Aloni, Batoul Taleb and Mariam Abu Khaled, Palestine and USA

Made in Germany - Prespektive Fellowship: Jan Speckenbach for Das Klopfen der Steine (The Sounds of Stones)

Heiner Carow Prize: Naked Opera, Angela Chirstlieb, Luxembourg and Germany
Thomas Strittmatter Screenplay Award: Chris Kraus for Die Blumen von gesten (working title)

Berlinale Talent Campus
Arte International Prize: Peter Valchanov for The Lesson, Bulgaria
Dolby Sound Mark Award: Rutger Reinders from The Netherlands
VFF Talent Highlight Pitch Award: Geordie Sabbagh for Two Guys who Sold the World, Canada

Readers' Juries and Audience Awards

Panorama Audience Awards
Feature Film
First Place: The Broken Circle Breakdown, Felix van Groeningen, Belgium and Netherlands
Second Place: Flores Raras (Reaching for the Moon), Bruno Barreto, Brazil
Third Place: Inch'Allah, Anaïs Barbeau-Lavalette, Canada and France
Documentary
First Place: The Act of Killing, Joshua Oppenheimer, Denmark, Norway and UK
Second Place: Salma, Kim Longinotto, UK
Third Place: A World Not Ours, Mahdi Fleifel, Lebanon, UK and Denmark

The Berliner Morgenpost Readers' Jury: Uroki Garmonii (Harmony Lessons), Emir Baigazin, Kazahstan, Germany and France
The Tagesspiegel Readers' Jury: Vaters Garten - Die Liebe meiner Eltern (Father's Garden - The Love of My Parents), Peter Liechti, Switzerland (Forum)
The Siegessäule Readers' Jury Award: W imię… (In the Name of), Małgośka Szumowska, Poland

The official winners list published by the festival.  Enjoy!

A gay interest movie is the top Teddy winner, In the Name of, but this time I am really interested in watching film because of the director, Małgośka Szumowska, and her previous film, Elles.

But definitively the film to watch as Must Be Seen is the Jury Award winner, Concussion by Stacie Passon a film that is starting to look very promising not only for today's honor but because seems will become one of the very few lesbian interest films that crossover to mainstream cinema. Film already has a US distributor and is none other than Radius-TWC (yes, is another Weinstein company) plus Paradigm Films. Very good news.

Most remarkable, top feature films Teddy winners are by women directors'. Excellent!

Winners are in *BLUE.

1/30/13
As stated at Berlinale official site, the Teddy Award is the most outstanding queer film prize in the world with a clear vision that shows prize is socially engaged, political honor presented to films and people who communicate queer themes on a broad social platform, thereby contributing to tolerance, acceptance, solidarity and equality in society.

The theme of this year’s Teddy Award is ‘Queer icons: Let’s open up our queer family album’. This is a celebration of gay men, lesbians, bisexual men and women, transgender, closet queens and raging queers, from Valeska Gert to Divine, from Tom of Finland to James Baldwin and from Mishima to Mapplethorpe. The 27th Teddy Award will feature an homage to Jean Marais, commemorating the 100th anniversary of his birth. The theme is underlined in the series of works Golden Queers by the painter Rinaldo Hopf which will be on display from 1 to 28 February. His artwork – the Teddy design for 2013 – makes reference to the anniversary of Marais’ birth.

The Teddy award is a non-profit event and is financed exclusively through the contributions and donations of the sponsors and benefactors of the Teddy foundation, the hard work of its many volunteers and through sponsorship and ticket sales for the event itself.

Every year films from all sections of the Berlinale compete for the Teddy Awards. Award ceremony will be on February 15.

Did a spontaneous classification for each movie, but be aware that some films blur the LGBT interest to go more mainstream, meaning: films could appeal more to general audiences than to genre audiences, those films are left without a classification.

The Films

Feature Films

Competition
La Religieuse (The Nun), Guillaume Nicloux, France, Germany and Belgium (L)
Vic+Flo on vu un ours (Vic+Flo Saw a Bear), Denis Côté, Canada (L)
*W imię… (In the Name of), Małgośka Szumowska, Poland (G) BEST FEATURE FILM

Panorama
백야 Baek Ya (White Night), LeeSong Hee-il, South Korea (G)
Chemi sabnis naketsi (A Fold in My Blanket), Zaza Rusadze, Georgia (G)
*Concussion, Stacie Passon, USA (L) SPECIAL JURY AWARD
Deshora (Belated), Barbara Salasola-Day, Argentina, Colombia and Norway (G)
Interior. Leather Bar., Travis Mathews and James Franco, USA (G)
Lose Your Head, Stefan Westerwelle and Patrick Schuckmann, Germany (G)

Panorama Special
Boven is het stil (It's All so Quiet), Nanouk Leopold, Netherlands and Germany (G)
Maladies, Carter, USA
Flores Raras (Reaching for the Moon), Bruno Barreto, Brazil (L) (photo)
明天記得愛上我 Will You Still Love Me Tomorrow?, Arvin Chen, Taiwan (G)

Forum
Echolot, Athanasios Karanikolas, Germany
くじらのまち Kujira no machi (The Town of Whales), Keiko Tsuruoka, Japan (L)

Perspektive Deutsches Kino
Freier Fall (Free Fall), Stephan Lacant, Germany (G)
Zwei Mütter (Two Mothers), Anne Zohra Berrached, Germany (L)

Documentary Films

Berlinale Special
Tribute to Rosa von Praunheim
Rosakinder (Pink Children), Julia von Heinz, Chris Kraus, Axel Ranisch, Robert Thalheim, Tom Tykwer, Germany

Panorama
*Bambi, Sébastien Lifshitz, France (T)  BEST DOCUMENTARY
Born This Way, Sahun Kadlec and Deb Tullmann, USA (LG)
Exposed, Beth B, USA (GT)
Fifi az khoshhali zooze mikeshad (Fifi Howls from Happiness), Mitra Farahani, USA
Gut Renovation, Su Friedrich, USA
Naked Opera, Angela Christlieb, Luxembourg and Germany (G)
Out in Ost-Berlin - Lesben und Schwule in der DDR (Out in East Berlin - Lesbians and Gays in the GRD), Jochen Hick, Germany (LGBT)
Paul Bowles: The Cage Door is Always Open, Daniel Young, Switzerland (LG)
Sing Me the Songs that Say I Love You - A Concert for Kate McGarrigle, Lian Lunson, USA

Forum
Die 727 Tage ohne Karamo (The 727 Days Without Karamo), Anja Salomoniwitz, Austria
Portrait of Jason, Shirley Clark, USA (G)

Forum Expanded
Helio Oiticica and Neville D'Almeida's Block-Experiments in Cosmococa - program in progress: CC6 Coke Head's Soup, Hélio Oiticica, Neville D'Almeida and Thomas Valentin, Brazil and USA, 1973 (Avant Garde cinema)

Short Film

Berlinale Shorts
Beshivhey Hayom (In Praise of the Day), Oren Adaf, Israel, 20' (G)
Ja kada sam bila klinac, bila sam klinka (When I was a Boy, I was a Girl), Ivana todorovic, Serbia, 30' (T)
*Ta av mig (Undress Me), Victor Lindgren, Sweden, 15' (T) BEST SHORT FILM

Panorama
Two Girls Against the Rain, Sao Sopheak, Cambodia, 11' (L)

Forum Expanded
Not Blacking Out, Just Turning The Lights Off, James Richards, UK, 17'
The Runaway Troupe of the Cartesian Theatre, Lior Shamriz, Germany and China, 18'

Generation
Dina and Noel, Sivan Levy and Natalie Melamed, Israel, 10'
Första gången (The First Time), Anders Hazelius, Sweden, 9'
O Pacote (The Package), Rafael Aidar, 18' (G)

Not sure if they will be in competition, somehow will be highly unfair as the following are excellent movies -some really cinema classics- so will list them apart assuming that they are part of the program and not in the competition.

Retrospective
A Midsummer Night's Dream, Max Reinhardt and William Dieterle, USA, 1935
First a Girl, Victor Saville, UK, 1935
Gado Bravo, António Lopes Ribeiro and Max Nosseck, Portugal, 1934
Peter, Hermann Kostelitz, Hungary and Austria, 1934
Some Like It Hot, Billy Wilder, USA, 1959
Viktor und Viktoria, Reinhold Schünzel, Germany, 1933

Berlinale Classics
Cabaret, Bob Fosse, USA, 1972

The Jury
Sophie Shu-Yi Lin, China
Pavel Cortes, Mexico
Martha Arredondo, Dominican Republic
Benoît Arnulf, France
Dilcia Barrera, USA
Gerjo Pérez Meliá, Spain
Ljosha Chaschyn, Ukraine
Johana Hakanen, Finland
Katja Briesemeister, Germany

As every year there are more Gay than Lesbian interest movies, but have to admit that the full lesbian interest films are great, especially the one from Brazil Flores Raras -with an excellent cast- but also Stacie Passon's Concussion. To learn more about this award go to the official site.

Check some trailers plus summary/images @MOC

Award Ceremony (artetv)

In the real final day of the Berlinale we prepare to start learning award winners which will take us to the awards ceremony tomorrow.  Surely will be back later with fest awards as they are announced.

Today some are praising "Harmony Lessons" by Emir Baigazin as "Hannibal by Haneke", which just sounds fantastic to me and makes me wish to see movie a bit more. Still think that story will not be easy to watch. Film has been highly praised and some consider film to be top contender for Golden Bear, so race could be between this movie and Gloria from Chile.

Competition

Elle s'en va (On my Way) by Emmanuelle Bercot
No need to say that film is must be seen for me because some of you already know that I watch everything with Catherine Deneuve. Imagine that the role written especially for Denevue will allow her to deliver another great performance; but if Emmanuelle Bercot's latest movie is as good as 2005 Backstage then my interest grows exponentially.  Film already has US distributor. Update:  Press conference starts incredibly funny with very dumb questions...

Nugu-ui Ttal-do Anin Haewon (Nobody's Daughter Haewon) by Hong Sangsoo
Alright I admit it, do not enjoy much his films but hope is always with me; first reactions to movie tend to be positive and some critics are calling film perhaps his best. Maybe will give film a try but I'm not rushing to see film.

Out of Competition

The Croods by Kirk De Micco and Chris Sanders
Had NO idea that Emma Stone's voice is in this movie and really like her voice tone plus her skills; watching movie press conference and yes, now I'm interested in watching this animated movie.

Panorama and Forum
All films have been screened, we now wait for the winners; today is the screening of Forum's Caligari Award winner, while Sunday is when Panorama's winners will have their last screening.

Generation
Today at 7:30pm local time is the award ceremony.

News

Heiner Carow Award, which is presented to a feature film, documentary or film essay, went to Angela Christlieb's documentary Naked Opera. In addition writer-director Chris Kraus was named the winner of the Thomas Strittmatter Screenplay Award for the script to his next feature Die Blumen von gesten, is the second time he wins this award, previously he won with the fantastic script of Four Minutes.

Thursday evening, the 11th edition of the Berlinale Talent Campus, came to a successful close at the HAU Hebbel am Ufer. Headed by the theme "Some Like It Hot – Filmmakers as Entertainers", the six-day Campus offered a unique opportunity for 300 filmmakers from 96 countries to exchange with one another and benefit first-hand from the best of the industry. 150 renowned film experts from all over the world shared their knowledge in nearly 100 workshops, training sessions, lectures and panel discussions, imparting an invaluable wealth of practical experience to Campus participants.

Five Berlinale Shorts entries and Pia Maria's Layla Fourie mark today the end of the Berlinale goes Kiez series in Kino Neues Off Neukölln. For 7 days highlights of the Berlinale have been shown in seven of the almost 100 art house cinemas in Berlin and Potsdam.

Photo

Emma Stone