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Showing posts with label Sweden. Show all posts
Showing posts with label Sweden. Show all posts

Another Winter Movie Bits

Winter is almost over so let's recall some of the movies I have seen during the cold season.

Infancia Clandestina (Clandestine Childhood), Benjamín Ávila, Argentina, Spain and Brazil
Known for his documentary Nietos (Identidad y Memorial) Avila debuts with his first feature film about a similar subject, the children in the troubled Argentinean days of the late 70's. As stated by Avila film story is not autobiographical even when he mixes some of his personal memories with fiction and tells story from a child point of view, which is very safe but becomes a lot less engaging for viewers as at moments becomes a melodrama about puppy love more than how to handle a double identity when you are so young. In this sense while watching story became very familiar for me and not unique as similar stories were told by films like 1988 Sidney Lumet's Running on Empty and 2000 Christian Petzold's Die innere Sicherheit (The State I Am In). The second is also Petzold's feature film debut and for a debut is a very engaging film and story, an opportunity that is lost in Avila's film perhaps because is not easy to objectively direct a film about what happened in your real life.

As we know was Argentina's submission to 2013 Oscar, an honor that perhaps was given more for the story film tells than for film's quality. Still stories like this one need to be told and people need to know them. Watch at your own risk but do not expect much from film specs and perhaps you will enjoy it more than me. Enjoy!  Trailer.


Las Malas Intenciones (The Bad Intentions), Rosario Garcia-Montero, Peru, Argentina and Germany
The debut feature film by Garcia-Montero that also has a story centered in a child and her view of everything that surrounds her in the critical and violent moments in Peru of the early 80's. This time the story is set in a wealthy family where the lonely young girl world collapses as her mother tells her she is going to have a sibling, which is the excuse to lightly explore Peru's conflicts. Not many stories have been told from this specific conflict, so there was a big opportunity for this film to excel at least for the story told, but no it did not as the little girl personal story overshadows everything else that is also told. Then you have the problem of not-so-good acting which makes film very hard to sustain watching.

Peru's submission to 2013 Oscar definitively has not the quality of films by more accomplished Peruvian directors like Claudia Llosa or Vega brothers outstanding films so suggest to watch at your own risk not expecting a great film and maybe you will enjoy it more than what I did. Sigh. Trailer.

Todos Tenemos Un Plan (Everybody Has a Plan), Ana Piterbarg, Argentina, Spain and Germany
Another debut feature film by Ana Piterbarg that unfortunately is not much amazing perhaps due to the lack of developed directorial skills as film starts very well both story wise and tech specs but around the middle film clearly lost direction after setting up some really interesting concepts that are abandoned for stretching a film too long without a clear direction to a much predictable end.

The best film has is that Viggo Mortensen performance looks great thanks to other actors really bad performances. Alright there is something else, Piterbarg style suggests that she will have a good future in filmmaking when her directorial skills improve. Enjoy.  Trailer.

Blancanieves, Pablo Berger, Spain
A very interesting take on classic Snow White tale as film is one of the most clearly Spain's values showcase that I have seen in ages, not only because is about bullfighting, has great music score (mostly Flamenco) but because is set in the 20's and has some great costumes. Also as film is black and white delights us with some very interesting use of light creating some outstanding to watch compositions. The silent film is an homage to German Expressionism which makes film very different to the "other" recent silent film and makes it a very artistic feast to the eyes. That's the good part.

On the not-great side, unfortunately some of the performances doesn't fit what you expect from a silent film nor recreates the fantastic performances in films of the German Expressionism era. For me performances are "too modern" with the occasional exceptions when the necessary silent film dramatic-exaggerated performance is present in scenes by Maribel Verdú. Still and considering modern performances is Macarena García who captured my attention and who I enjoyed most in film.

Spain's submission to 2013 Oscar was surely overshadowed by last year Best Picture Oscar winner but do not let this fool you as this is a movie that I strongly suggest you do not skip especially if you appreciate art in movies but somehow I know that due to the known tale very unconventional adaptation could please wider audiences that never imagined Snow White could be told as is told here. Enjoy!!! Trailer.

Hypnotisören (The Hypnotist), Lasse Hallström, Sweden
A great entertaining film that in my opinion represents well Nordic mainstream films as absolutely has the fantastic cold performances style, blueish/greyish look, slowish pace and a story that can easily capture your attention. But one word of advice, do NOT expect this film to be a Hollywood thriller as thankfully it is NOT.

My best reference is that if you enjoyed 2008 Tomas Alfredson's Låt den rätte komma in (Let the Right One In), 2006 Baltasar Kormákur's Mýrin (Jar City) and/or the original 2009 Niels Arden Oplev's Män som hatar kvinnor (The Girl with the Dragon Tattoo) then perhaps you will also enjoy this film that was Sweden submission to 2013 Oscar. Enjoy!! Trailer.

Den skaldede frisør (Love Is All You Need), Susanne Bier, Denmark, Sweden, Italy, France and Germany
Was expecting a less mainstream movie but movie is really mainstream cinema and perhaps the most crowd-pleaser/feel-good that Bier has done. Unfortunately and mainly due to casting but also because story, film makes you think about Mamma Mia! -without the songs- which somehow didn't help me to enjoy more film. Still film has some great Nordic style performances by Trine Dyrholm's as Ida and Paprika Steen as very unpleasant Benedikte; the only cast misfortune is Pierce Brosnan even when his performance is not bad, role should have been given to another good actor that hasn't star in a similar story high profile movie.

This romcom is nice to watch but please do not expect a Hollywood romcom as there is nothing American in this film, not the performances, not the storytelling style, not the humor, not the background drama, nor anything else. Film is an enjoyable entertaining moment that could please many that enjoy European cinema. Enjoy!! Trailer.

Cloclo (My Way), Florent-Emilio Siri, France and Belgium
Was more interesting in recalling the life of Claude François than watching film as a film, so you can say that my expectations were very low which was perfect as film as a film is not that good. Assume that this biopic will please many fans of the French pop singer but wonder if those not familiar with him and his brief life could enjoy film that much. Still Jérémie Renier performance is very acceptable as if not has the true looks has most of the mannerisms of Claude François, however is Benoît Magimel transformation what impressed me the most.

For those not familiar with the French singer (he was contemporary of Gilbert Bécaud, Johnny Hallyday and Frances Gall -all are in movie) perhaps knowing that he was the co creator of one of the most famous songs in the world, My Way that Paul Anka bought the rights, created new English lyrics and Frank Sinatra made it an international success. In this sense perhaps what film also has is an interesting take in how songs are translated into other languages to make local singers very popular in that language-speaking countries, sometimes overshadowing locally the success of the "original" song/singer and this story works BOTH ways here, from English to French and from French to English.

It is a very French film with a very French story that I am not sure non-French can enjoy, so my best suggestion is to watch Youtube video clips of the real Claude François before watching movie. Enjoy! Trailer.

The Paperboy, Lee Daniels, USA
With the mostly not positive reviews was expecting a film that I could not enjoy, but surprise, surprise film is truly "trashy" but highly enjoyable with one scene that I know will NOT forget, ever. This particular scene made me jump with a mix of disgust and incredibility as even when during the entire movie I really forgot I was watching Nicole Kidman in the screen, during this scene I couldn't help but seeing her doing a very sexually graphic scene (actually you see not much as almost everything is suggested) that yes, shocked me. Please do not allow me to confuse you, this is one the best Kidman's performances I have seen and one that everyone should see.

Know that film is not for everyone as is very violent, very sexually suggestive (not much is actually shown but it is suggested and makes your imagination flow into only one direction), highly homoerotic (again not much shown but suggested) and story is in one word, bizarre. But somehow Daniels take on the Pete Dexter award winner novel reminds me of Tarantino and bet you all that if Tarantino dared to tell this story, many will praise his work. Then you can't forget that Pedro Almodovar produced film which makes the Daniels-Almodovar collaboration very unconventional and yes, bizarre. Great.

I couldn't watch Daniels previous film as was too much for me, but this one strongly recommend you watch it; however prepare yourself for a sleazy/trashy very unconventional film. Enjoy!!! Trailer.

Have seen many more films but this is it for today. Cheers!
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36th Göteborg International Film Festival Awards Winners

Last night at the Stora Teatern the fest had the Dragon Awards ceremony and here are all the award winners.

Dragon Awards

Best Nordic Film
Før snøen faller (Before Snowfall), Hisham Zaman, Norway, Germany and Iraq
Jury’s motivation: “The Dragon Award for Best Nordic Film goes to a film with an original and honest vision that goes beyond clichés. By using an exceptional cast and a precise and vivid style of cinematography the director succeeds in telling a story that reveals the impact of tradition and culture and the fact that they can be conquered by naive, true love. The winner is Before Snowfall.”

The Ingmar Bergman International Debut Award
Carne de Perro (Dog Flesh), Fernando Guzzoni, Chile, Germany and France
Jury’s motivation: ”A man cannot cope with the deeds of his past and experiences an intense daily suffering. An exceptional performance constitutes the chore in a multilayered tale of redemption, executed with complete artistic control.”

Best Nordic Documentary
Laulu koti-ikävästä (Finnish Blood, Swedish Heart), Mika Ronkainen, Finland and Sweden
Jury’s motivation: “The Dragon Award for Best Nordic Documentary goes to Finnish Blood, Swedish Heart, a touching story of inner and outer exile, which brings out a rarely discussed trauma of the Swedish welfare state of the prosperous 60s and 70s. With great sensibility and refinement, the director describes a personal relationship between father and son and their emotional trip down memory lane in the search of a sense of belonging. Their conversations and meetings with other Swedish Finns along the way gradually unfolds the theme of rootlessness and estrangement, while intertwined live recordings of Finnish immigrant songs from the 70s poetically comment on the theme and widens the picture to encompass an entire culture.”

Lorens Award
Malik Bendjelloul for Searching for Sugar Man, Sweden and UK
Jury’s motivation: “Behind this exceptionally well-produced film lies labor that persevered, often against the odds. Despite considerable solitary labor, it has become an international success story. The film has prevailed at something unusual for documentary film: namely reaching out to a greater audience and using the full potential of cinematography. No journey was too long and no effort too great for the launch and contact with the public. The jury was completely unanimous that the 2013 Lorens Award would be awarded to Malik Bendjelloul for the film Searching for Sugar Man."

FIPRESCI Prize
Nordvest (Northwest), Michael Noer, Denmark
“For its solid acting performances and its balanced and realistic portrayal of a young man's descent into a criminal world.”

Audience Awards
Best Feature Film: Wadja, Haiffa al-Mansour, Saudi Arabia and Germany
Best Nordic Film: Kapringen (A Hijacking), Tobias Lindholm, Denmark

The Church of Sweden Film Award: Godheten, Stefan Jarl, Sweden (documentary)

Short Films
Dragon Award New Talent: La Ravaudeuse, Simon Filliot, France, 10'
Jury’s motivation: “So said—but so beautiful. Poverty, greed, fraternal affection, eroticism and painful death. It all begins with a dramatic birth in a home in the crack between dream and reality—where loneliness hangs over everything. With their accomplished craft, the director invokes both tension and strong characters. With La Ravaudeuse, Simon Filliot has created something entirely new, a completely living world of sackcloth, twine and tangled wool. A moving and well-made pastoral drama that leaves no one untouched.”

Startsladden Award: Gabriel och lasermannen (The Day my Dad was Shot), Babak Najafi, Sweden, 13'

Best Swedish Novella Film: Vatten, Niclas Larson, Sweden, 30'
Special Mention: 10 Guds Siffror (Remnants of a Life), Ivica Zubak, Sweden, 30'

Audience Award: Vatten, Niclas Larson, Sweden, 30'

Last, the best photo from this year's festival:  Baby Dragon.

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36th Göteborg International Film Festival Line-up

Since January 25th and until February 4th one of the most famous Swedish film festivals has been running and as soon, on Saturday February 2 will be the awards ceremony, I'm sharing with you all some of the great films that are in the two main competitions.


Dragon Award for Best Nordic Film

8-Pallo (8-Ball), Aku Louhimies, Finland
Djúpið (The Deep), Baltasar Kormákur, Iceland
Faro, Fredrik Edfeldt, Sweden
Før snøen faller (Before Snowfall), Hisham Zaman, Norway
Kapringen (A Hijacking), Tobias Lindholm, Denmark
Nordvest (Northwest), Michael Noer, Denmark
Som du ser meg (I Belong), Dag Johan Haugerud, Norway
Uskyld (All that matters is past), Sara Johnsen, Norway

The Ingmar Bergman International Debut Award

36, Nawapol Thamrongrattanarit, Thailand
Carne de Perro (Dog Flesh), Fernando Guzzoni, Chile, Germany and France
Crawl, Hervé Lasgouttes, France
Gözetleme Kulesi (Watchtower), Pelin Esmer, Turkey
It Felt Like Love, Eliza Hittman, USA
Lemale et ha'halal (Fill the Void), Rama Burshtein, Israel
Wadjda, Haifaa al-Mansour, Saudi Arabia and Germany
Zwei Leben (Two Lives), Georg Maas, Germany and Norway

To watch trailers for the above and more movies go here. This year the fest is larger than ever as the program includes almost 500 films from 84 countries and to check films in the many sections please go here.
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2013 Guldbagge Awards Winners

On January 21st the Swedish Film Institute held the gala ceremony for the 48th Annual Guldbaggen filmpris and Gabriela Pichler's Äta sova dö (Eat Sleep Die) was the big winner as came with five nominations and won four. Winners are in *BLUE.

1/13/13
The Swedish Film Institute announced today the nominations for the 18 categories that will be honored this year (7 are new) and Mikael Marcimain's Call Girl leads with 11 nominations followed by Jan Troell's Dom över död man (The Last Sentence) with 6 nods and Malik Bendjelloul's Searching for Sugar Man with 5 nominations.

Awarded annually since 1964, the Guldbagge, or Golden Beetle, is the Swedish Film Institute's award for achievements in film from the previous year. The beetle-shaped award was designed by Swedish sculptor Karl Axel Pehrson. Award ceremony will include the Gullspira (for extraordinary contribution in films for children plus the Audience Award and will be on January 21, 8pm, at Cirkus in Stockholm; hope that will be streamed live as they did last year but for those living in Sweden Swedish Television (SVT) will be broadcasting the event live.

The nominations.

Best Film
*Äta sova dö (Eat Sleep Die) by Gabriela Pichler
Call Girl by Mikael Marcimain
Searching for Sugar Man by Malik Bendjelloul

Best Director
Mikael Marcimain for Call Girl
*Gabriela Pichler for Äta sova dö (Eat Sleep Die)
Jan Troell for Dom över död man (The Last Sentence)

Best Actress
Pernilla August in Call Girl
*Nermina Lukač in Äta sova dö (Eat Sleep Die)
Linda Molin in Bitchkram (Bitch Hug)

Best Actress in a Supporting Role
Léonore Ekstrand in Avalon
Yohanna Idha in Katinkas Kalas (Certain People)
*Ulla Skoog in Dom över död man (The Last Sentence)

Best Actor
*Johannes Brost in Avalon
Bengt C.W. Carlsson in Lycka till och ta hand om varandra (Good Luck. And Take Care of Each Other)
Matias Varela in Snabba cash II (Easy Money II)

Best Actor in a Supporting Role
*Peter Carlberg in Avalon
Milan Dragišić in Äta sova dö (Eat Sleep Die)
Fares Fares in Snabba cash II (Easy Money II)

Best Screenplay
*Malik Bendjelloul for Searching for Sugar Man
Marietta von Hausswolff von Baumgarten for Call Girl
Gabriela Pichler for Äta sova dö (Eat Sleep Die)

Best Cinematography
*Hoyte van Hoytema for Call Girl
Måns Månsson for Avalon
Jan Troell and Mischa Gavjusjov for Dom över död man (The Last Sentence)

Best Editing
*Andreas Jonsson, Hanna Lejonqvist and Niels Pagh Andersen for Palme
Kristofer Nordin for Call Girl
Malik Bendjelloul for editing Searching for Sugar Man

Best Costume Design
*Cilla Rörby for Call Girl
Katja Watkins for Dom över död man (The Last Sentence)
Jaana Fomin for Mammas pojkar (Metal Brothers)

Best Sound
Jonas Jansson for Snabba cash II (Easy Money II)
*Petter Fladeby and Per Nyström for Call Girl
Malik Bendjelloul and Per Nyström for Searching for Sugar Man

Best Make-up/Hair
Eros Codinas for Call Girl
*Jenny Fred for Snabba cash II (Easy Money II)
Maria Strid Zackrisson for Dom över död man (The Last Sentence)

Best Music
*Benny Andersson for Palme
Malik Bendjelloul and Sixto Rodriguez for Searching for Sugar Man
Johan Söderqvist and Andreas Unge for El Médico: The Cubaton Story

Best Production Design
*Lina Nordqvist for Call Girl
Sandra Lindgren for Bitchkram (Bitch Hug)
Pernilla Olsson for Dom över död man (The Last Sentence)

Best Visual Effects
Tim Morris for Call Girl
Torbjörn Olsson for Hamilton – I nationens intresse (Agent Hamilton - In the Interest of the Nation)
*Andreas Hylander for Isdraken (The Ice Dragon)

Best Foreign Language Film
*Amour, Michael Haneke
Laurence Anyways, Xavier Dolan
Moonrise Kingdom, Wes Anderson

Best Documentary
Palme, Kristina Lindström and Maud Nycander
Pojktanten (She Male Snails), Ester Martin Bergsmark
*Searching for Sugar Man, Malik Bendjelloul

Best Short Film
*Dance Music Now, Johan Jonason
Fotografen (The Photographer), Vanja Sandell Billström
Gläntan (The Clearing), Peter Grönlund

I'm so glad that Searching for Sugar Man is being honored as is the best EVER documentary I have seen up to date and definitively is better than many feature films (non-documentary) I have seen in recent years. The honors include a nomination in Best Documentary but also as Best Film, both are highly well-deserved as well as the other four nominations it got (editing, music, script and sound).

But Malik Bendejelloul debut film has strong competition in the Best Film category from great Jan Troell with his period drama and most of all from also first timer Mikael Marcimain (have done mainly TV movies/series/miniseries) with his fictional recount of a real-life Swedish political scandal known as Bordellhärvan which linked underage prostitution with powerful customers believed to come from the highest levels of society.

If you wish to check info plus watch trailers check the new Guldbaggen website here and to read the official press release go here.
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