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Showing posts with label Netherlands. Show all posts
Showing posts with label Netherlands. Show all posts

42nd International Film Festival Rotterdam Award Winners

These are all the festival award winners announced in different dates, including today's announcement plus Friday, February 1st award ceremony.

Hivos Tiger Award
The three winners of the equal Hivos Tiger Awards

Môj pes Killer (My Dog Killer), Mira Fornay, Slovakia and Czech Republic, 2013.
‘The challenge for showing a very strong subject from the inside reveals the difficulty of life and a sense of violence.’

Soldate Jeannette (Soldier Jane), Daniel Hoeslm, Austria, 2012.
‘The breaking out of two women is realized with strong imagery and visual power. Each shot is minimal but gives a high construction of forms and shapes; a very formalistic approach.’

Larzanandeye charbi (Fat Shaker), Mohammad Shirvani. Iran, 2013.
‘The film introduces the audience to a very different world. It is a fascinating story with superb characters. The cinematography really draws out the story, the paranoia and the characters.’

Other Awards

FIPRESCI Award: O quinto evanxeo de Gaspar Hauser (The Fifth Gospel of Kaspar Hauser), Alberto Gracia, Spain
‘For Alberto Gracia’s radical and audacious desire to capture the world as seen through the eyes of a legendary, rebel madman. Mysterious and bravely resisting any amount of words to precisely describe what he’s achieved on screen, Gracia’s work is both meticulously structured and yet as untamed as a dream in the deepest dark of night. We celebrate the film’s achievement to convey Kaspar’s divided selves, identities and visions through purely cinematic means, and to also question the very purpose of cinema itself.’

NETPAC Award: Yang tidak dibicarakan ketika membicarakan cinta (What They Don't Talk About When They Talk About Love), Mouly Surya, Indonesia
‘For its delicate portrayal of the desires and fantasies of its visually-impaired characters in a Jakarta school of the blind that appeals to the senses in evoking the textures and rhythms of the emerging southeast Asian cinema.’

The Big Screen Award: Bellas Mariposas (Pretty Butterflies), Salvatore Mereu, Italy
‘Representing the audience, we felt the duty to watch out for a refreshing movie. One that would be an addition to what is on offer in Dutch cinemas; one that we don’t want others to miss. We found this voice in a movie with a young perspective that frolics from characters to plotlines and is just a celebration of life all together.’

Dutch Circle of Film Critics (KNF) Award: El Futuro (The Future), Alicia Scherson, Chile, Germany, Italy and Spain
‘In a solid competition, a number of titles distinguished themselves by taking more risks. One film caught the jury's eye with its distinct tone of voice. The film plays with light and darkness on many levels; perhaps surprisingly, this is reflected most effectively in the inventive and atmospheric soundtrack. The intriguing central relationship, which calls back memories to Last Tango in Paris, is intimately portrayed by Manuella Martelli and Rutger Hauer.’

UPC Audience Award: Matterhorn, Diedrik Ebbinge, Netherlands
Dioraphte Award: Wadja, Haifaa Al Mansour, Saudi Arabia and Germany

Moviezone Award (Young People's Jury): Les Chevaux de Dieu (God's Horses), Nabil Ayouch, Morocco, France and Belgium

Lions Film Award: Penumbra, Eduardo Villanueva, Mexico

Awards for Best Cine Mart Projects

Euroimages Co-Production Development Award for Best European Project: Jätten (The Giant), Johannes Nyholm, Sweden
‘A project of a talented filmmaker who is about to make a leap from widely appreciated short films to his first fiction that will a tender melodrama.’

ARTE International Prize: The Lobster, Yorgos Lanthimos, Ireland, UK and Greece
‘A very exciting and original project from one of the most talented emerging filmmakers of the last decade.’

WorldView New Genres Fund Development Award: Zama, Lucrecia Martel, Argentina and Spain
‘A visually stunning and uniquely approached period project by one of South America’s most influential director.’

Tiger Awards for Short Films
Three equal winners

The Tiger's Mind, Beatrice Gibson, UK, 20'
Unsupported Transit, Zachary Formwalt, Netherlands, 15'
Janus, Erik van Lieshout, Netherlands, 51'

IFFR 2013 Short Film Nominee for the European Awards 2013
Though I Know the River is Dry, Omar Robert Hamilton, Egypt, Palestine and UK, 20'

Two films particularly call my attention and have been following them since I learn about them. According to photos and trailer Soldier Jane seems to have outstanding visuals and I'm very intrigued by the Chilean film, El Futuro.
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42nd International Film Festival Rotterdam Lineup

This year the fest brings us many films but to be brief here are the sixteen (16) films selected for the Hivos Tiger Awards Competition 2013. Among them are five films supported by IFFR's Hubert Bals Fund. The three winners of the Hivos Tiger Awards will be chosen by a jury of five, among them celebrated filmmaker Ai Weiwei. The winners will be announced on Friday 1 February 2013.

36, Nawapol Thamrongrattanarit, Thailand 2012, European premiere
Director Nawapol Thamrongrattanarit uses 36 shots for his original, crisply-told film about memory and lost digital time. In this light-footed and melancholic feature, a location scout loses a year's worth of her photos. She has the feeling that part of her own memory has been deleted and she does everything to get the photos back. In a playful way, this film tackles the issue of changing memory. Deeply hidden in the broken hard disk is also the picture of a possible lover.

Silent Ones, Ricky Rijneke, Netherlands/Hungary 2013, world premiere, CineMart Project 2009
Rotterdam-based Ricky Rijneke shot her first feature film for a large part in Hungary. A young Hungarian woman (played by Hungarian actress Orsi Tóth) wakes up inside a crashed car in the middle of nowhere, not knowing where her brother Isti is. Upset and alone, she leaves aboard a cargo ship to keep a promise she made to him. Once at sea, she withdraws into a dream world and loses grip on her life completely.

Chungmeng (Longing for the Rain), Yang Lina, Hong Kong 2013, world premiere, Hubert Bals Fund-supported film
Linking several genres in a surprising and successful way, Yang Lin’s fiction feature debut is an Asian ghost story in which documentary scenes show how incongruous today's reality can look in China. Protagonist Fang Lei lives in material wealth and only has to care for her daughter. One night, a young mysterious lover appears and makes passionate love to her.

Dummy Jim, Matt Hulse, United Kingdom 2013, world premiere, CineMart Project 2007
More than 50 years ago, deaf Scotsman James Duthie cycled from his fishing village to the Arctic cycle. Together with deaf actor / filmmaker Samuel Dore, Matt Hulse set out on the long journey through northern Europe to adapt this story into his first feature film. Hulse mixes fictional and documentary elements into a virtuoso blend: unusual people in fictional Super 8-films, playful animated sequences and archive footage of the era in the countries traversed.

Eles voltam (They'll Come Back), Marcelo Lordello, Brazil 2012, international premiere
Cris, aged 12, and her brother are left at the side of the road by their parents. The punishment quickly turns into an even greater challenge. Marcelo Lordello's first feature film Eles voltam, which follows Cris in her attempts to find her way back home, is a modern-day fable through different realities guided by the people that inhabit them.

Gozetleme Kulesi (Watchtower), Pelin Esmer, Turkey 2012, European premiere
After her successful fiction feature debut and Hubert Bals Fund-supported film 10 to 11, Pelin Esmer's second feature film Watchtower is a profound character study that takes a critical point of view towards conservatism and the patriarchal system. Haunted by a tragic incident, a fire warden has isolated himself in his remote observation tower. Through a series of events, his life and that of a bus station hostess are brought together.

Halley, Sebastián Hofmann, Mexico 2012, European premiere, Hubert Bals Fund-supported film
In Halley, protagonist Beto's days are numbered. He has been dead for years, but can no longer hide the fact. Perfume and make-up do not help to mask his physical decline; the end is now final for this silent zombie. Sebastián Hofmann shows the world through the eyes of a zombie in decline. His first feature film is a contemporary Gothic story without the spectacle, but with plenty of compassion.

It Felt Like Love, Eliza Hittman, USA 2013, international premiere
In her debut film, Eliza Hittman sketches a sensitive and often painful portrait of a 14-year-old girl on her way to adulthood. During an uneventful summer on the outskirts of Brooklyn, Lila turns her attentions to Sammy, an older thug she sees at Rockaway beach. Wanting something to brag about, she weaves a story about him and becomes fixated on seeing it realized. When her attempts fail, she propels the lie even further, claiming they have had sex.

Larzanandeye charbi (Fat Shaker), Mohammad Shirvani, Iran 2013, European premiere, Hubert Bals Fund-supported film
Fat Shaker is no ordinary film – certainly not by Iranian standards. Its maker, Mohammad Shirvani, is an artist who uses powerful and occasionally absurd images. The story is about a fat father who tries to con money from women with his young and attractive yet deaf-and-dumb son. The role of the father is played by Levon Haft, who is also the striking protagonist in the film Parviz (also in IFFR). As part of the Inside Iran programme, Mohammad Shirvani has made a special art installation titled Elephant in Darkness.

Môj pes Killer (My Dog Killer), Mira Fornay, Slovakia/Czech Republic 2013, world premiere
Môj pes Killer is a one-day drama portraying eighteen-year-old Marek living near the Slovak-Moravian border with his dad and his racist friends. However, Marek's best true friend is his dog. His life is shaken up when he discovers the secret of his lost mother Marika. Fornay's first film Foxes (2009) premiered in Venice and was presented in IFFR 2010's Bright Future.

Noche (Night), Leonardo Brzezicki, Argentina 2013, world premiere, Hubert Bals Fund-supported film
Six friends return to the big farmhouse in the middle of a subtropical landscape where their best friend Miguel spent his last days. While the sound of his recordings fills the house and gardens, they pack the things he left behind. Brzezicki's directorial début is a haunting sensorial journey through memories, images and sounds.

Penumbra, Eduardo Villanueva Jiménez, Mexico 2013, world premiere, Hubert Bals Fund-supported film
In Penumbra, the second feature film by writer, producer and filmmaker Eduardo Villanueva Jiménez, an experienced old hunter shows his world within a rural Mexico lost in time: a place of suspense and mystery where he creates a fascinating and illusory world together with the spirits of the forest.

Sao karaoke (Karaoke Girl), Visra Vichit Vadakan, Thailand 2013, world premiere
Young sex worker Sa is the protagonist of Visra Vichit Vadakan's first feature film. Sa was sent to Bangkok when she was just 15. After three years in a factory, she decided to become a sex worker in order to support her family. Four years later, Vichit Vadakan met her and invited her to be the subject of this film. She documented Sa's life in the city and in the country and also wrote a fictional script for her to act in. Karaoke Girl is made from these building blocks of real life and fiction.

Soldate Jeannette (Soldier Jane), Daniel Hoesl, Austria 2012, European premiere
Daniel Hoesl makes his directorial debut with Soldate Jeannette after working in the arts for a while, and for filmmakers like Ulrich Seidl and Michael Glawogger. Soldate Jeanette, a film with a distinct personal signature, impeccable aesthetics and original narrative, portrays Fanni, a middle-aged woman living a lifestyle that only the most advanced post-postmodern capitalist society can offer: independence, financial speculation, compulsive consumerism, matcha, taekwondo. She meets Anna, an attractive young woman in dire need of reinventing herself. Together, the comrades set out for new horizons, defying all conventions.

Su Re (The King), Giovanni Columbu, Italy 2012, international premiere
Transposing the story of the Passion of Jesus to Sardinia, Su Re draws for the very first time on the four gospels of Matthew, Mark, Luke and John together. Giovanni Columbu's distinct view is shot in a landscape unaffected by modernity and played out by an amateur cast, offering still new insights into the life of Christ.

De wederopstanding van een klootzak (The Resurrection of a Bastard), Guido van Driel, Netherlands 2013, world premiere, CineMart Project 2010
The Resurrection of a Bastard, feature debut of visual artist and filmmaker Guido van Driel, is based on his own graphic novel. An original, bleak and sometimes surreal story shot in a compelling, controlled way, Van Driel's film brings together an old Frisian farmer bent on revenge, an Amsterdam criminal barely surviving a liquidation and an illegal immigrant.

To check films in all sections go here.
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