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Carjacked (2011)


Genre: Crime/Drama/Adventure/Action/Thriller

Starring: Maria Bello, Stephen Dorff, Connor Hill

Since we have all heard and read about hijacks, lets learn a bit about this movie called Carjacked. Lorraine Burton (Bello) is a recent divorcee who is fighting for her divorce and is utterly broke. Whilst driving around one night with her son in the car, Roy (Dorff) sneaks into a car at a fuel station and orders her to drive his way. Roy is a bank robber who needs to get to a rendezvous point with the rest of his fellow robbers. Over the course of the journey, Lorraine and Roy start getting to know each other better and Roy reveals to her that they have to driver for quite some time. Although Roy starts trusting Lorraine, she tries multiple times in getting help or escaping from Roy. The movie has a very simple and straight-forward plot line with no parallel plots or any twists or turns. The movie is a drag and quite a bore in most places. The unending conversations between Lorraine and Roy is a nightmare to watch. The only saving grace is the last half an hour which has the final escape scenes which is sprinkled with some decent action. A highly avoidable watch and cannot be recommended for any aspect whatsoever.

Thumbs up: Nothing whatsoever
Thumbs down: Very boring and dragged

Rating: 5.5/10
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15th Polskich Nagród Filmowych Orły (Eagle Awards) Winners

More interesting is to learn this year's Eagle award winners as the Polish Academy spread the wealth among many films.

Big winner of last night ceremony was Manhunt by Martin Krzyształowicz (photo) which collected four awards including the high profile Best Picture.

Best Picture: Oblawa (Manhunt), Martin Krzyształowicz

Best Director: Roman Polanski for Carnage
Best Screenplay: Wojciech Smarzowski for Drogówka (Highway Patrol)

Best Actress: Agnieszka Grochowska in Bez Wstydu (Shameless), Filip Marczewski
Best Supporting Actress: Joanna Kulig in Elles, Malgorzata Szumowska

Best Actor: Maciej Stuhr in Poklosie (Aftermath), Wladyslaw Pasikowski
Best Supporting Actor: Arkadiusz Jakubik in Drogówka (Highway Patrol), Wojciech Smarzowski
Discovery of the Year: Michael Urbaniak in Mój rowe (My Father's Bike), Piotr Trzaskalski

Best Cinematography: Arkadiusz Tomiak for Oblawa (Manhunt), Martin Krzyształowicz
Best Production Designer: Allan Starski for Poklosie (Aftermath), Wladyslaw Pasikowski
Best Costume Design: Magdalena Rutkiewicz-Luterek for Oblawa (Manhunt), Martin Krzyształowicz
Best Music: Krzysztof Komeda and Mariusz Ostański in Komeda, Komeda ..., Natasza Ziółkowska-Kurczuk
Best Sound: Barbara and Peter Domaradzki Domaradzka for Oblawa (Manhunt), Martin Krzyształowicz
Best Editing: Jaroslaw Kaminski for Jesteś Bogiem (You are God), Leszek Dawid
Best Documentary: Wirtualna wojna (Man @ War) directed by Jack Bławut

Best European Film: Amour, Michael Haneke

Audience Award: Jesteś Bogiem (You are God), Leszek Dawid

The honorary Eagle for Lifetime Achievement was awarded to celebrated actress Danuta Szaflarska. To read news go here.
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20th Czech Lion Winners

Last Saturday the Czech Academy had the annual award ceremony and not surprisingly In The Shadow by David Ondříček, which was Czech Republic submission to 2013 Oscar, swept the awards by winning 9 of the 11 categories in which was nominated. Bohdan Sláma's Four Suns, which got the most nominations (12), was honored with only one award for Best Supporting Actress Actress Klára Melíšková.

These are the winners for top categories and to check winners in all categories please go here.

Best Picture: Ve stínu (In The Shadows), David Ondříček

Best Director: David Ondříček for Ve stínu (In The Shadows)
Best Screenplay: Marek Epstein, David Ondříček, Misha Votruba for Ve stínu (In The Shadows)

Best Actress: Gabriela Míčová in Odpad město smrt (Waste, City, and Death), Jan Hřebejk
Best Actor: Ivan Trojan in Ve stínu (In The Shadows), David Ondříček

Some news coverage in English comment how these awards fail to go beyond the most obvious choices and help further recognize upcoming talents. I tend to agree with the news. Sigh.

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Cinéfondation 9th L'Atelier - 66th Cannes Film Festival

For L’Atelier’s 9th edition, 15 projects from 14 countries have been selected. Since its creation in 2005, L’Atelier has been stimulating creative filmmaking and encouraging the emergence of a new generation of filmmakers. By inviting directors and their producers to meet hundreds of potential partners during the Festival de Cannes, L’Atelier offers its participants access to international co-production, thereby maximizing their chances of completing their projects. So far, out of 126 projects presented over the last eight years, 83 have been completed and 29 are currently in pre-production.

From May 17 to 23, L’Atelier will arrange meetings with the directors for film industry professionals interested in investing in their projects. The Livre des Projets and the meeting request forms will be available online at the beginning of April on Cinéfondation official site.

The following are the 15 selected projects.

Chenu, Manjeet Singh, India
Ciao Ciao, Song Chuan, China
Days of Cannibalism, Teboho Joscha Edkins, South Africa
Holy Air, Shady Srour, Israel
Je ne suis pas un salaud, Emmanuel Finkiel, France
Lamb, Yared Zeleke, Ethiopia
Me, Myself and Murdoch, Yahya Alabdallah, Jordan and Palestine
Memories of the Wind, Özcan Alper, Turkey
Out/In the Streets, Jasmina Metwaly and Philip Rizk, Egypt
Rey, Niles Attalah,Chile
Road Kill, Yuichi Hibi, USA
Stage Fright, Yorgos Zois, Greece
Sworn Virgin, Laura Bispuri, Italia
The House on Fin Street, Amir Manor, Israel
The Heirs, Jorge Hernández Aldana, Mexico

Let's hope that many of the above projects find the necessary help to continue the process of making their films.
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2013 Canadian Screen Award Winners

Rebelle (War Witch) by Kim Nguyen (photo) was the big winner of the night as won 10 of the 12 categories for which it was nominated.

Winners are not yet at official site but from news these are the winners for some categories announced last night. If you wish to learn winners in all categories go here if you can't wait until the Academy publishes winners.

Winners are in *BLUE.

2/10/13
A few days back the Academy of Canadian Cinema & Television (ACCT) announced the first ever Canadian Screen Award that has the unbelievable amount of 116 categories (22 in film, 89 in television and 5 in digital media). The award replaces and merges Genie (film) and Gemini (TV) awards, but what has been called as an "anomaly" TV categories does NOT include Quebec television programs, odd.

Great Oscar nominee Rebelle tops the list with 12 nominations closely followed by also great Lawrence Anyways with 10; not surprisingly Quebec features dominate the awards.

Awards ceremony will be on Sunday, March 3 at 8pm and will be broadcast live on CBC; Martin Short will host the ceremony, who makes me hope organizers live stream ceremony for the rest of the world.

These are the nominees for main film categories and if you wish to learn all 116 categories go here but have to download several different pdf files.

Best Motion Picture

L'Affaire Dumont, Daniel Grou
Inch'Allah, Anaïs Barbeau-Lavalette
Lawrence Anyways, Xavier Dolan
Midnight's Children, Deepa Mehta
*Rebelle (War Witch), Kim Nguyen
Still Mine, Michael McGowan

Achievement in Direction
Michael Dowse for Goon
Xavier Dolan for Lawrence Anyways
Deepa Mehta for Midnight's Children
*Kim Nguyen for Rebelle (War Witch)
Bernard Émond for Tout ce que tu possèdes (All That You Possess)

Performance by An Actress in A Leading Role
Evelyne Brochu in Inch'Allah
Geneviève Bujold in Still Mine
Marilyn Castonguay in L'Affaire Dummont
Suzanne Clément in Laurence Anyways
*Rachel Mwanza in Rebelle (War Witch)

Performance by An Actor in Leading Role
*James Cromwell in Still Mine
Patrick Drolet in Tout ce que tu possèdes (All That You Possess)
Marc-André Grondin in L'affaire Dumont
David Morse in Collaborator
Melvil Poupaud in Lawrence Anyways

Original Screenplay
Jason Buxton for Blackbird
Xavier Dolan for Lawrence Anyways
*Kim Nguyen for Rebelle (War Witch)
Michael Mcgowan for Still Mine
Bernard Émond for Tout ce que tu possèdes (All That You Possess)

Adapted Screenplay
David Cronenberg for Cosmopolis
Jay Baruchel and Evan Goldberg for Goon
Anita Doron for The Lesser Blessed
Martin Villeneuve for Mars et Avril
*Salman Rushdie for Midnight's Children

Achievement in Cinematography
*Nicolas Bolduc for Rebelle (War Witch)
Philippe Lavalette for Inch'Allah
Giles Nuttgens for Midnight's Children
Bobby Shore for Goon
Brendan Steacy for Still Mine

Best Feature Length Documentary
Alphée des étoiles, Hugo Latulippe
Indie Game: The Movie, Lisanne Pajot and James Swirsky
Over My Dead Body, Brigitte Popupart
*Stories We Tell, Sarah Polley
The World Before Her, Nisha Pahuja

Two films had skipped my radar, Inch'Allah and Tout ce que tu possèdes, both seem like the kind of movies that I could enjoy mostly for storytelling style; the second in particular seems to be very lyrical and literary oriented.  Great.
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Another Winter Movie Bits

Winter is almost over so let's recall some of the movies I have seen during the cold season.

Infancia Clandestina (Clandestine Childhood), Benjamín Ávila, Argentina, Spain and Brazil
Known for his documentary Nietos (Identidad y Memorial) Avila debuts with his first feature film about a similar subject, the children in the troubled Argentinean days of the late 70's. As stated by Avila film story is not autobiographical even when he mixes some of his personal memories with fiction and tells story from a child point of view, which is very safe but becomes a lot less engaging for viewers as at moments becomes a melodrama about puppy love more than how to handle a double identity when you are so young. In this sense while watching story became very familiar for me and not unique as similar stories were told by films like 1988 Sidney Lumet's Running on Empty and 2000 Christian Petzold's Die innere Sicherheit (The State I Am In). The second is also Petzold's feature film debut and for a debut is a very engaging film and story, an opportunity that is lost in Avila's film perhaps because is not easy to objectively direct a film about what happened in your real life.

As we know was Argentina's submission to 2013 Oscar, an honor that perhaps was given more for the story film tells than for film's quality. Still stories like this one need to be told and people need to know them. Watch at your own risk but do not expect much from film specs and perhaps you will enjoy it more than me. Enjoy!  Trailer.


Las Malas Intenciones (The Bad Intentions), Rosario Garcia-Montero, Peru, Argentina and Germany
The debut feature film by Garcia-Montero that also has a story centered in a child and her view of everything that surrounds her in the critical and violent moments in Peru of the early 80's. This time the story is set in a wealthy family where the lonely young girl world collapses as her mother tells her she is going to have a sibling, which is the excuse to lightly explore Peru's conflicts. Not many stories have been told from this specific conflict, so there was a big opportunity for this film to excel at least for the story told, but no it did not as the little girl personal story overshadows everything else that is also told. Then you have the problem of not-so-good acting which makes film very hard to sustain watching.

Peru's submission to 2013 Oscar definitively has not the quality of films by more accomplished Peruvian directors like Claudia Llosa or Vega brothers outstanding films so suggest to watch at your own risk not expecting a great film and maybe you will enjoy it more than what I did. Sigh. Trailer.

Todos Tenemos Un Plan (Everybody Has a Plan), Ana Piterbarg, Argentina, Spain and Germany
Another debut feature film by Ana Piterbarg that unfortunately is not much amazing perhaps due to the lack of developed directorial skills as film starts very well both story wise and tech specs but around the middle film clearly lost direction after setting up some really interesting concepts that are abandoned for stretching a film too long without a clear direction to a much predictable end.

The best film has is that Viggo Mortensen performance looks great thanks to other actors really bad performances. Alright there is something else, Piterbarg style suggests that she will have a good future in filmmaking when her directorial skills improve. Enjoy.  Trailer.

Blancanieves, Pablo Berger, Spain
A very interesting take on classic Snow White tale as film is one of the most clearly Spain's values showcase that I have seen in ages, not only because is about bullfighting, has great music score (mostly Flamenco) but because is set in the 20's and has some great costumes. Also as film is black and white delights us with some very interesting use of light creating some outstanding to watch compositions. The silent film is an homage to German Expressionism which makes film very different to the "other" recent silent film and makes it a very artistic feast to the eyes. That's the good part.

On the not-great side, unfortunately some of the performances doesn't fit what you expect from a silent film nor recreates the fantastic performances in films of the German Expressionism era. For me performances are "too modern" with the occasional exceptions when the necessary silent film dramatic-exaggerated performance is present in scenes by Maribel Verdú. Still and considering modern performances is Macarena García who captured my attention and who I enjoyed most in film.

Spain's submission to 2013 Oscar was surely overshadowed by last year Best Picture Oscar winner but do not let this fool you as this is a movie that I strongly suggest you do not skip especially if you appreciate art in movies but somehow I know that due to the known tale very unconventional adaptation could please wider audiences that never imagined Snow White could be told as is told here. Enjoy!!! Trailer.

Hypnotisören (The Hypnotist), Lasse Hallström, Sweden
A great entertaining film that in my opinion represents well Nordic mainstream films as absolutely has the fantastic cold performances style, blueish/greyish look, slowish pace and a story that can easily capture your attention. But one word of advice, do NOT expect this film to be a Hollywood thriller as thankfully it is NOT.

My best reference is that if you enjoyed 2008 Tomas Alfredson's Låt den rätte komma in (Let the Right One In), 2006 Baltasar Kormákur's Mýrin (Jar City) and/or the original 2009 Niels Arden Oplev's Män som hatar kvinnor (The Girl with the Dragon Tattoo) then perhaps you will also enjoy this film that was Sweden submission to 2013 Oscar. Enjoy!! Trailer.

Den skaldede frisør (Love Is All You Need), Susanne Bier, Denmark, Sweden, Italy, France and Germany
Was expecting a less mainstream movie but movie is really mainstream cinema and perhaps the most crowd-pleaser/feel-good that Bier has done. Unfortunately and mainly due to casting but also because story, film makes you think about Mamma Mia! -without the songs- which somehow didn't help me to enjoy more film. Still film has some great Nordic style performances by Trine Dyrholm's as Ida and Paprika Steen as very unpleasant Benedikte; the only cast misfortune is Pierce Brosnan even when his performance is not bad, role should have been given to another good actor that hasn't star in a similar story high profile movie.

This romcom is nice to watch but please do not expect a Hollywood romcom as there is nothing American in this film, not the performances, not the storytelling style, not the humor, not the background drama, nor anything else. Film is an enjoyable entertaining moment that could please many that enjoy European cinema. Enjoy!! Trailer.

Cloclo (My Way), Florent-Emilio Siri, France and Belgium
Was more interesting in recalling the life of Claude François than watching film as a film, so you can say that my expectations were very low which was perfect as film as a film is not that good. Assume that this biopic will please many fans of the French pop singer but wonder if those not familiar with him and his brief life could enjoy film that much. Still Jérémie Renier performance is very acceptable as if not has the true looks has most of the mannerisms of Claude François, however is Benoît Magimel transformation what impressed me the most.

For those not familiar with the French singer (he was contemporary of Gilbert Bécaud, Johnny Hallyday and Frances Gall -all are in movie) perhaps knowing that he was the co creator of one of the most famous songs in the world, My Way that Paul Anka bought the rights, created new English lyrics and Frank Sinatra made it an international success. In this sense perhaps what film also has is an interesting take in how songs are translated into other languages to make local singers very popular in that language-speaking countries, sometimes overshadowing locally the success of the "original" song/singer and this story works BOTH ways here, from English to French and from French to English.

It is a very French film with a very French story that I am not sure non-French can enjoy, so my best suggestion is to watch Youtube video clips of the real Claude François before watching movie. Enjoy! Trailer.

The Paperboy, Lee Daniels, USA
With the mostly not positive reviews was expecting a film that I could not enjoy, but surprise, surprise film is truly "trashy" but highly enjoyable with one scene that I know will NOT forget, ever. This particular scene made me jump with a mix of disgust and incredibility as even when during the entire movie I really forgot I was watching Nicole Kidman in the screen, during this scene I couldn't help but seeing her doing a very sexually graphic scene (actually you see not much as almost everything is suggested) that yes, shocked me. Please do not allow me to confuse you, this is one the best Kidman's performances I have seen and one that everyone should see.

Know that film is not for everyone as is very violent, very sexually suggestive (not much is actually shown but it is suggested and makes your imagination flow into only one direction), highly homoerotic (again not much shown but suggested) and story is in one word, bizarre. But somehow Daniels take on the Pete Dexter award winner novel reminds me of Tarantino and bet you all that if Tarantino dared to tell this story, many will praise his work. Then you can't forget that Pedro Almodovar produced film which makes the Daniels-Almodovar collaboration very unconventional and yes, bizarre. Great.

I couldn't watch Daniels previous film as was too much for me, but this one strongly recommend you watch it; however prepare yourself for a sleazy/trashy very unconventional film. Enjoy!!! Trailer.

Have seen many more films but this is it for today. Cheers!
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Bulitt (1968)


Genre: Action/Crime/Mystery/Thriller

Starring: Steve McQueen, Jacqueline Bisset, Robert Vaughn, Don Gordon, Simon Oakland

A true-blue cop movie from the '60s, Lt. Frank Bulitt (McQueen) is assigned the task to protect a Johnny Ross, a key witness in an upcoming trial on organised crime. Ross arrives on a Friday with the hearing scheduled on Monday. Since Ross is a runaway from the crime syndicate, Walter Chalmers (Vaughn) wants Ross alive by Monday and has entrusted Bulitt this task. Ross gets murdered in his hotel room on Saturday night which does not make Chalmers very happy. Bulitt starts investigating the murders to understand who exactly is Ross, why does Chalmers want him so badly and why was he murdered. The first thing that stands out in the movie is epic car chase. The 10-minute chase has gone down in history as the best car chase ever in any movie made. The sole reason why this movie became a huge success is solely down to Steve McQueen in a Ford Mustang GT Fastback, chasing 2 bad guys in a Dodge Charger. The movie not only made McQueen famous but also made the Mustang a very desirable car. The murder mystery is the second best thing about the movie which comes across as extremely real and very life-like. In fact, most of the movie is extremely realistic which is why this is loved so much. You don't have loud background scores screaming in the background during any of the action sequences. Hence, you feel as if you are actually part of the scene and can hear every engine note, tyre screech, footstep and gunshot that is being fired. An exceptional movie for a typical police mystery but at the same time, not something where you should expect too much.

Thumbs up: The most worshipped car chasing sequence ever made
Thumbs down: A more thrilling suspense was missing

Rating: 7.2/10
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