Online Movie Station

Release Date: May 03, 2013
Director: Shane Black
Written By: Drew Pearce, Shane Black
Cast: Ben Kingsley, Don Cheadle, Guy Pearce, Gwyneth Paltrow, Jon Favreau, Paul Bettany, Robert Downey Jr.
Synopsis:


Iron Man 3 pits genius-billionaire-playboy-philanthropist Tony Stark (Iron Man) against the Mandarin, an enemy whose reach knows no bounds. When Stark finds his personal world destroyed by his mysterious antagonist, he embarks on a dangerous quest to find those responsible. His journey will test his character at every turn. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?

Release date: June 21, 2013 (USA)
Director: Marc Forster
Running time: 116 minutes
Screenplay: Matthew Michael Carnahan, Damon Lindelof, Drew Goddard
Story by: Max Brooks, J. Michael Straczynski, Matthew Michael Carnahan

Vultures have been circling the lumbering mega-budget production of World War Z almost since the film went into pre-production. First, fans of Max Brook's highly-regarded novel were up in arms when it emerged that the book's multiplicity of survivors' tales was to be distilled into a star vehicle for Pitt. Then news leaked of multiple drafts from various writers being rejected (the film has writing credits for four different scribes). Early trailers were ill received. It emerged that the entire last act of the film (an epic battle sequence) had been junked and fanboy kryptonite Lindelof brought in to write an entirely new ending.

With the mood on the blogosphere toxic, the trades and mainstream press piled in as the smell of blood in the water grew stronger. Paramount eventually stopped even pretending the film was not troubled, allowing Vanity Fair to publish an astonishing account of the difficult production - further increasing speculation that this was a $200 million dollar plus vanity project for Pitt and his production company, Plan B.
Now World War Z has finally arrived, and if the narrative behind its making is as compelling as that of any of 2013's blockbusters, the unexpected twist ending is the year's most shocking. Spoiler... the movie is good. In fact, it's not just good - it's great.

Pitt plays Gerry Lane, a former investigator for the United Nations living with his family in cheerfully chaotic domestic bliss, economically sketched out in an opening breakfast scene that is almost the only moment of calm for the next 100-odd minutes - save that the TV in the kitchen is running disturbing news footage of social disorder breaking out in locations across the world. Driving his family into the city, Gerry gets stuck in traffic gridlock and BOOM! All hell breaks loose as the whole world goes to s***in what seems like five minutes flat and director Forster slams the pedal to the metal for the first of many stunning action sequences.

The subsequent globe-trotting story has Lane is drafted back into service for the United Nations to search for the source of the "zombie" plague that within days has brought the world to the brink of apocalypse. The pace is blistering, honestly comparable to Gareth Evans' The Raid, and the scale is as epic as hundreds of millions of dollars can provide. What makes World War Z really work is humanity of its characters. Pitt himself is at the heart of this. To make a film like this commercially viable, it had to have a major star. But Lane is no superman (or Superman). He isn't James Bond, Jason Bourne or Ethan Hunt - in fact, he spends most of the film running away from stuff. Pitt really sells the notion that Lane is a common man in extraordinarily uncommon circumstances, motivated by love of his family to put himself ridiculously in harm's way. I struggle to come up with another male star of his stature that could have pulled this part off.

Pitt is in every scene, but around him are a rapidly-changing collection of characters who join only for sections of the narrative. However by canny international casting characters who often have mere minutes of screen time register memorably. Especially good are Enos (from TV's Big Love and the US version of The Killing) as Lane's wife, and Israeli actress Daniella Kertesz (in a nearly dialogue free role). Nowhere is it more clear that the film has been substantially shaped in the editing room, than from the fact that the highly-billed Fox is essentially a blink-and-you'll-miss-him featured extra. Before remarking on Forster's skills remember that when Terrence Malick does this, he's called a genius.

Where the film really scores is that despite the fact that it is a "zombie" movie (and unusually one where the reason characters use that term is because they have seen zombie movies), the environments and human characters feel real and convincing. The action has a gritty verite feel while never being less than spectacular. While the threat is fantastical, like Romero's best zombie films World War Z takes place in a convincing world - in this case a distinctly post 9/11 one. One sequence in particular is sure to inspire debate over the presence or not of a geo-political subtext, but I'll leave that for you to discover.

World War Z is also often very frightening; despite the lack of gore, this is an extremely intense film and one which parents should be very careful about bringing children to. At the time of writing no BBFC certificate had been announced, but it has received a PG-13 in the US - meaning a 12A is quite possible. This is absolutely not a movie for under-12s, and if you take them, prepare for sleepless nights.

The breakneck pace and sheer shock-and-awe of the film's scale paper over a few cracks. What exactly makes Pitt's character the UN's go-to guy is never exactly made clear, and some of the plot mechanics that propel the story from one part of the globe to the next don't quite hold up to intense scrutiny. However, in my view, one would really have to be committed to not having a good time to find these elements overly troubling. This is widescreen filmmaking at its best.

World War Z is a compelling reminder that for every troubled production that produces a Bonfire of the Vanities or Island of Dr. Moreau, there is Casablanca, Apocalypse Now, or Blade Runner. I'm not putting WWZ quite in that category - only time will tell - but against all the odds, this is the best blockbuster yet seen in the 2013.
By FireLordVinny

Fast and Furious 6
Director: Justin Lin
Writers: Chris Morgan, Gary Scott Thompson (characters)
Stars: Vin Diesel, Paul Walker, Dwayne Johnson | See full cast and crew

Vin Diesel, Paul Walker and Dwayne Johnson lead the returning cast of all-stars as the global blockbuster franchise built on speed races to its next continent in Fast & Furious 6. Reuniting for their most high-stakes adventure yet, fan favourites Jordana Brewster, Michelle Rodriguez, Tyrese Gibson, Sung Kang, Gal Gadot, Chris 'Ludacris' Bridges and Elsa Pataky are joined by badass series newcomers Luke Evans and Gina Carano.

Since Dom (Diesel) and Brian’s (Walker) Rio heist toppled a kingpin’s empire and left their crew with $100 million, our heroes have scattered across the globe. But their inability to return home and living forever on the lam have left their lives incomplete.

Meanwhile, Hobbs (Johnson) has been tracking an organization of lethally skilled mercenary drivers across 12 countries, whose mastermind (Evans) is aided by a ruthless second-in-command revealed to be the love Dom thought was dead, Letty (Rodriguez). The only way to stop the criminal outfit is to outmatch them at street level, so Hobbs asks Dom to assemble his elite team in London. Payment? Full pardons for all of them so they can return home and make their families whole again.

Fast and Furious 6 is in my opinion one of the strongest and best movies in the franchise yet. However, it still does not match up to the original.

The Fast and the Furious (2001) - 5/5
2 Fast 2 Furious (2003) - 3/5
The Fast and the Furious: Tokyo Drift (2006) - 2/5
Fast & Furious (2009) - 3/5
Fast Five (2011) - 4/5
Fast & Furious 6 (2013) 4/5

Fast and Furious 6 follows on nicely from Fast Five (2011) and begins with Dominic Toretto (Vin Diesel) and the rest of his gang having retired following their successful heist in Rio. However, they are still not safe and remain as wanted fugitives by U.S. Diplomatic Security Service (DSS) agent Luke Hobbs (Dwayne Johnson). Hobbs, on the other hand, requires their help and agrees to pardon the group and allow them to return home if they help him to take down Owen Shaw (Luke Evans) and his second in command, Dominic's presumed-dead lover Letty Ortiz (Michelle Rodriguez).

This film ties up a few of the loose ends and in a post-credits scene reveals something from the third film which sets up the next, Fast and Furious 7.
By J Hobbs

Posting winners as they are announced via Twitter and facebook.  When info becomes available at official site, will confirm winners.  All winners are confirmed in official site that you can check here.

Honorary Lola goes to Werner Herzog; Audience Award Lola to Schlussmacher by Matthias Schweighöfer and Torsten Künstler.

Seems that Oh Boy will win most major awards... only one to go... and went to Oh Boy, which becomes the big winner tonight.

Winners are in BLUE.

3/22/13
A few hours ago the Deutsche Filmakademie (German Film Academy) announced the nominees for the Deutscher Filmpreis (German Film Awards) -better known as Lolas- and Cloud Atlas leads the pack with 9 nods including top award and Best Director closely followed by Jan Ole Gester's debut film Oh Boy with eight nods.

These are the nominees for all the 16 categories.

Best Film
Cloud Atlas, Lana Wachowski, Andy Wachowski and Tom Tykwer
*Hannah Arendt, Margarethe von Trotta BEST FILM IN SILVER
*Lore, Cate Shortland BEST FILM IN BRONZE
*Oh Boy, Jan Ole Gerster  BEST FILM IN GOLD
Quellen des Lebens, Oskar Roehler
Die Wand (The Wall), Julian Roman Pölsler

Best Director
*Jan Ole Gester for Oh Boy
Margarethe von Trotta for Hannah Arendt
Lana Wachowski, Andy Wachowski and Tom Tykwer for Cloud Atlas

Best Actress in a Leading Role
Martina Gedeck in Die Wand (The Wall)
Birgit Minichmayr in Gnade (Mercy)
*Barbara Sukowa in Hannah Arendt

Best Supporting Actress
Margarita Broich in Quellen des Lebens
Friederike Kempter in Oh Boy
*Christine Schorn in Das Leben ist nichts für Feiglinge

Best Actor in a Leading Role
Edin Hasanovic in Schuld sind immer die Anderen
*Tom Schilling in Oh Boy
Sabin Tambrea in Ludwig II

Best Supporting Actor
*Michael Gwisdek in Oh Boy
Robert Gwisdek in Das Wochenende (The Weekend)
Ernst Stötzner in Was Bleibt (Home for the Weekend)

Best Screenplay
Pam Katz and Margarethe von Trotta for Hannah Arendt
*Jan Ole Gerster for Oh Boy
Anna Maria Praßler for Schuld sind immer die Anderen

Best Cinematography
Adam Arkapaw for Lore
Jakub Bejnarowicz for Gnade (Mercy)
*John Troll and Frank Briebe for Cloud Atlas

Best Art Direction
Susann Bieling for Die Abenteuer des Huck Finn
*Uli Hanisch and Hugo Bateup for Cloud Atlas
Udo Kramer for Die Vermessung der Welt (Measuring the World)

Best Editing
*Alexander Berner for Cloud Atlas
Anne Fabini for More Than Honey
Anja Siemens for Oh Boy

Best Sound Design
*Christian Bischoff, Uve Haussig and Johannes Konecny for Die Wand (The Wall)
Benjamin Krbetschek and Holger Lehmann for Du hast es Versprochen (Forgotten)
Stefan Soltau, Björn Wiese and Dominik Rätz for Gnade (Mercy)
Markus Stemler, Ivan Sharrock, Frank Kruse, Matthias Lempert, Roland Winke and Lars Ginzel for Cloud Atlas

Best Film Score
*The Major Minors and Cherilyn MacNeil for Oh Boy
Max Richter for Lore
Tom Tykwer, Johnny Klimek and Reinhold Heil for Cloud Atlas

Best Costume Design
*Kym Barrett and Pierre-Yves Gayraud for Cloud Atlas
Stefanie Bieker for Lore
Frauke Firl for Hannah Arendt
Thomas Oláh for Die Vermessung der welt (Measuring the World)

Best Make Up
Jeannette Latzelsberger, Gregor Eckstein, Elke Lebender, Stephanie Däbritz and Julia Rinkl for Quellen des lebens
*Daniel Parker and Jeremy Woodhead for Cloud Atlas
Astrid Weber for Hannah Arendt

Best Documentary
*More Than Honey, Markus Imhoof
Vergis Mein Nicht, David Sieveking
Die Wohnung (The Flat), Arnon Goldfinger

Best Children's Film
Das Haus der Krokodile (Victor and the Secret of Crocodile Mansion), Cyrill Boss and Philipp Stennert
*Kaddisch für einen Freund, Leo Khasin

To check the official list go here.  Awards ceremony will take place on April 26 in Berlin's Friedrichstadt-Palast, will be broadcast live by ZDF and will be hosted by Mirjam Weichselbraun.

There are many interesting films among the nominees, specially the family/personal dramas that seem to have interesting stories but there are a few period films and/or historical real life people  that also could be interesting. Among the documentaries The Flat has become must be seen for me. Great.

Today organizers announced five (5) more films in the Official Selection, with Jim Jarmusch's Only Lovers Left Alive (with Tilda Swinton) going into the Competition, Claude Lanzmann's Le Dernier des Injustes out of competition and three (3) films in Un Certain Regard: Lucia Puenzo's Wakolda, Hiner Saleem's My Sweet Pepperland and Katrin Gebbe's Tore Tanzt.

4/18/13
A few minutes ago the Official Selection lineup was unveiled and yes, there are some very positive surprises for me even when most films in the main competition are the ones everyone was buzzing and speculating will make the selection. The surprises: the latest film by master filmmaker Jia Zhangke, one of my favorite Sixth Generation Chinese directors, and none other than Amat Escalante that even when his films are quite violent, truly mesmerizes me with his particular and peculiar style. Fantastic!

My biggest non-positive surprise is to find Steven Soderbergh latest film in the Official Selection (?!) not only is a TV movie (is HBO) but the film stills and promotion material seems truly awful representation of Liberace. Obviously now I know will expect more from this movie that will premier Sunday, May 26 at 9pm on HBO.

As have been doing in previous years in one post will list ALL films that made this year selection and will update as soon as they announce new films in any section.

Competition

Behind the Candelabra, Steven Soderbergh, USA
Borgman, Alex van Warmerdam, Netherlands
Grisgris, Mahamat-Saleh Haroun, France and Chad
Heli, Amat Esclante, Mexico
Inside Llewyn Davis, Ethan and Joel Coen, USA
Jeune et Jolie, François Ozon, France
Jimmy P. (aka Jimmy Picard) (Psychotherapy of a Plains Indian), Aranud Desplechin, USA
La Vie d'A Adèle (aka Le Bleu est une coleur chaude), Abdellatif Kechiche, France
La Grande Bellezza (The Great Beauty), Paolo Sorrentino, Italy and France
La Vénus à la fourrure (Venus in Fur), Roman Polansky, France
Le passé (The Past), Asghar Farhadi, France
Michael Kohlhaas, Arnaud des Pallières, France and Germany
The Immigrant (aka Lowlife), James Gray, USA
Nebraska, Alexander Payne, USA
Only Lovers Left Alive, Jim Jarmusch, USA
Only God Forgives, Nicolas Winding Refn, France and Denmark
そして父になる Soshite chichi ni naru (Like Father, Like Son), Hirokazu Kore-eda, Japan
天注定 Tian Zhu Ding (A Touch of Sin), Jia Zhangke, China
Un château en Italie, Valeria Bruni-Tedeschi, France
藁の楯 わらのたて Wara No Tate (Shield of Straw), Takashi Miike, Japan

Out of Competition
Opening Film: The Great Gatsby, Baz Luhrmann, Australia and USA
Closing Film: Zulu, Jérôme Salle, France
All is Lost, J.C. Chandor, USA
Blood Ties, Guillaume Canet, France and USA
Le dernier des injustes, Claude Lanzmann, France and Austria

The Jury
President: Steven Spielberg, director, USA
Naomi Kawase, director, Japan
Cristian Mungiu, director, scriptwriter and producer, Romania
Lynne Ramsay, director, scriptwriter and producer, UK
Ang Lee, director, scriptwriter and producer, Taiwan
Daniel Auteuil, actor and director, France
Christoph Waltz, actor, Austria
Nicole Kidman, actress and  producer, Australia
Vidya Balan, actress, India

Un Certain Regard

Opening Film: The Bling Ring, Sofia Coppola, USA
Anonymous, Mohammad Rasoulof, Iran
As I Lay Dying, James Franco, USA
(*) Bends, Flora Lau, Hong Kong and China
Death March, Adolfo Alix Jr., Philippines
(*) Fruitvale Station, Ryan Coogler, USA
Grand Central, Rebecca Zlotowski, France
(*) La Jaula de Oro, Diego Quemada-Diez, Mexico
Les Salauds, Claire Denis, France
L'Image Manquante, Rithy Panh, Cambodia
L'Inconnu du lac, Alain Guiraudie, France
(*) Miele, Valeria Golino, France and Italy
My Sweet Pepperland, Hiner Saleem, Turkey, Iran, Irak
Norte, Hanggan ng kasaysayan (Norte, The End of History), Lav Diaz, Philippines
Omar, Hany Abu-Assad, Palestine and USA
(*) Sarah préfère la course, Chloé Robichaud, Canada
(*) Tore Tanzt, Katrin Gebbe, Germany
Wakolda, Lucía Puenzo, Argentina, Spain, France, Germany and Norway

Un Certain Regard Jury
President: Thomas Vinterberg, director, scriptwriter and producer, Denmark

Special Screenings
Muhammad Ali's Greatest Fight, Stephen Frears, USA (TV movie)
Seduced and Abandoned, James Toback, USA (Documentary)
Stop the Pounding Heart, Roberto Minervini, Italy, Belgium and USA
Week End of A Champion, Roman Polanski, UK, 1972 (Documentary)

Midnight Screenings
盲探 Man Tam (Blind Detective) , Johnnie To, Hong Kong
(*) Moonsoon Shootout, Amit Kumar, India and UK

Cannes Classics
Vertigo, Alfred Hitchcock, USA, 1958

Jerry Lewis' Tribute
Max Rose, Daniel Noah, USA

Gala Screening, Tribute to India
Bombay Talkies, Zoya Akhtar, Dibakar Banerjee, Anurag Kashyap and Dibakar Banerjee, India

Short Films Competition
37°4 S, Adriano Valerio, France, 11'
Bishtar az do saat (More Than Two Hours), Ali Asgari, Iran, 15'
Condom Lead, Mohammed Abou Nasser and Ahmad Abou Nasser, Palestine and Jordan, 14'
Hvalfjörður (Whale Valley, Guðmundur Arnar Guðmundsson, Iceland and Denmark, 15'
Inseki to Impotence (The Meteorite and Impotence), Omoi Sasaki, Japan, 10'
Mont Blanc, Gilles Coulier, Belgium, 14'
Olena, Elżbieta Benkowska, Poland, 14'
Ophelia, Annarita Zambrano, Poland, 14'
Safe, Moon Byoung-gon, South Korea, 13'

Cinéfondation Selection
Asunción, Camila Luna Toledo, Chile, 21', (Pontificia Universidad Catolica)
Au-delà de l'Hiver (After the Winter), Zhi Wei Jow, France, 19' (Le Fresnoy)
Babaga, Gan de Lange, Israel, 26' (The Sam Spiegel Film & TV School)
Contrafábula de una Niña Disecada (Fable of a Blood-Drained Girl), Alejandro Iglesias Mendizábal, Mexico, 25' (CCC)
Danse Macabre, Małgorzata Rżanek, Poland, 5' (Academy of Fine Arts in Warsaw)
Duet, Navid Danesh, Iran, 24', (Karnameh Film School)
En Attendant le dégel (Waiting for the Thaw), Sarah Hirtt, Belgium, 20' (INSAS)
Exil (Exile), Vladilen Vierny, France, 16' (La fémis)
Going South, Jefferson Moneo, USA, 15' (Columbia University)
În acvariu (In the Fishtank), Tudor Cristian Jurgiu, Romania, 20' (UNATC)
Mañana Todas Las Cosas (Tomorrow All The Things), Sebastián Schjaer, Argentina, 17' (UCINE)
Needle, Anahita Ghazvinizadeh, USA, 21' (The School of the Art Institute of Chicago)
O Šunce, Eliška Chytková, Czech Republic, 6' (Tomas Bata University in Zlίn)
Pandy (Pandas), Matúš Vizár, Czech Republic, 12' (FAMU)
The Magnificent Lion Boy, Ana Caro, UK, 10' (NFTS)
The Norm of Life, Evgeny Byalo, Russia, 23' (High Courses for Scriptwriters and Film Directors)
Seon (The Line), Kim Soo-Jin, South Korea, 27' (Chung-Ang University)
Stepsister, Joey Izzo, USA, 18' (San Francisco State University)

Special Screening
(*) Otdat Konci (Bite The Dust), Taisia Igumentseva, Russia

Short Films and Cinéfondation Jury
President: Jane Campion, director, New Zealand
Majida Abdi, actress, director and producer, Ethiopia
Nicoletta Braschi, actress and producer, Italy
Nandita Das, actress, India
Semih Kaplanoğlu, director, writer and producer, Turkey

(*) First film competes for the Camera d'Or

Main Competition, Out of Competition, Special Screenings and Tributes info, film stills or trailers @MOC
Un Certain Regard info, film stills or trailers @MOC
Check trailers for some Cinéfondation shorts at MOC.

Read basic info for all films but will continue finding more information, film stills and/or trailers and will upload them at MOC. So will update links to each section asap.

Reliable news have already the ACID selection even when it is not posted at the official site of L'Association du Cinéma Indépendant pour sa Diffusion, so I'm doing post and will confirm as soon as they publish at official site plus will add the special screenings and any other event they program for this year.

Update
The announcement is up at official site thus films are confirmed.

These are the nine (9) feature films in the 2013 selection

Au Bord du Monde, Claus Drexel, France
Braddock America, Jean-Loic Porton and Gabriella Kessler, France (documentary)
C’est eux les chiens, Hicham Lasri, Morocco
Deux automnes, trois hivers, (Two Autumns, Three Winters), Sébastien Betbeder, France

La Bataille de Solferino, Justine Triet, France
Ô Heureux Jours!, Dominique Cabrera, France (documentary)
Swandown, Andrew Kötting, UK
The Strange Little Cat, Ramon Zürcher, Germany
Wajma, Barmak Akram, France and Afghanistan

For me it is a big surprise to find in L'ACID selection Barmak Akram's film Wajma, which won an award at 2013 Sundance as its presence in this section means that has no distribution.

Around minute 2 the list of movies begin with images in the below video, but if you wish to see the photos pleas go here.

Today Edouard Waintrop, Artistic Director, announced the Directors' Fortnight selection that includes comedies, thrillers, 2 horror films, and 3 documentaries. A total of 21 features will screen with 17 world premieres selected after checking 3,311 titles.

There are some surprises as Yolande Moreau's first solo film, Sebastian Silva's film, the only Romanian film in all Cannes (a short) plus the most surprising duo of Jodorowsky films (!) one by him and another about him.  But most impressive is the fact that I have seen one of the films in the selection, fabulous short film Swimmer by Lynne Shelton!

Feature Films
Opening Film: The Congress, Ari Folman, Israel, Germany, Poland, France and Belgium
Closing Film: Henri, Yolande Moreau, France and Belgium

A Strange Course of Events, Raphaël Nadjari, Israel and France
(*) Les Apaches, Thierry de Peretti, France
(*) Ate ver a luz (After The Night), Basil Da Cunha, Switzerland
Blue Ruin, Jeremy Saulnier, USA
La Danza de la Realidad, Alejandro Jodorowsky, France, Chile and Mexico
(*) L'Escale, Kveh Bakhtiari, France and Switzerland (documentary)
(*) La Fille du 14 Juillet, Antonin Peretjatko, France
(*) Ilo Ilo, Anthony Chen, Singapore
(*) Jodorowsky's Dune, Frank Pavich, USA (Documentary)
(*) Last Days on Mars, Ruairi Robinson, UK and Ireland
(*) Les Garçons et Guillaume, à table!, Guillaume Gallienne, France
Magic Magic, Sebastián Silva, USA and Chile
On The Job, Erik Matti, Philippines
The Selfish Giant, Clio Barnard, UK
Tip Top, Serge Bozon, France
Ugly, Anurag Kashyap, India
Un Voyageur, Marcel Ophuls, France
El Verano de los Peces Voladores, Marcela Said, France and Chile
We Are What We Are, Jim Mickle, USA

(*) Competing for the Camera d'Or

Short Films
Gambozinos, João Nicolau, France and Portugal
Lágy Eső, Dénes Nagy, Belgium and Hungary
Le quepa sur la vilni, Yann Le Quellec, France
Man kann nicht alles auf einmal tun, aber man kann alles auf einmal lassen, Marie-Elsa Sgualdo, Switzerland
O umbra de nor, Radu Jude, Romania
Pouco mais de um mês, André Novais Oliveira, Brazil
Que je tombe tout le temps?, Eduardo Williams, France
Solecito, Oscar Ruiz Navia, Colombia, Denmark and France
Swimmer, Lynne Ramsay, UK

Beyond the selection, Directors’ Fortnight will host a range of peripheral events this year. These include the Taipei Factory, a joint initiative between Directors Fortnight and the Taiwan Film Commission to team four Taiwanese directors with four other filmmakers from around the world. The resulting shorts will be screened at Directors’ Fortnight.

Taipei Factory

The Pig, Singing Chen (Taiwan) and Jero Yun (Korea)
Silent Asylum, Midi Z (Taiwan) and Joana Preiss (France)
A Nice Factory, Shen Ko-Shang (Taiwan) and Luis Cifuentes (Chile)
Mr. Chang’s New Address, Chang Jung-Chi (Taiwan) and Alireza Khatami (Iran)

Other events includes a Tribute to Jane Campion, who this year will receive the Carrosse d'Or and the Directors' Assembly consisting of two panels to discuss key issues impacting the film industry today.

Directors' Assembly Program

Session 1 - Saturday May the 18th
Independent directors’ experiences worldwide

From their experiences, directors will talk about film production conditions and financial support schemes for cinema worldwide. It can be about the independent cinema in the United States, financing schemes in India, China, Brazil, and about everything directors wish to point out as well… They will talk about new creative and economic momentum that they conjure up to make their films. Daring productions sometimes turn away from cinema support schemes, as their heaviness and slowness weigh on creative energy. It will be about putting those systems and those different context to the test of the filmmaking reality and the work methods of each.

A new global and multipolar cinema leads to rapid mutations of our professional practices…

Session 2 - Tuesday May 21st
The European crisis and its consequences on its Member States’ cultural policies

Often in Europe, institutional stakeholders, producers and distributors script debates about cinema economics in which directors have a hard time finding their rightful place. Re-assessment of national cinema support schemes, coproductions difficulties, European funds shrinking… what role can they play in discussions about cultural policies ?

Cinema is not just an industry, neither is it an industry like any other : between cultural ambition and economic power, how to solve the visible contradiction between regulation, competition and cultural exception ?

Will check all films for info, original names, etc. and will update post accordingly ASAP.